Who Are You Talking About?

[found on tylerlehmann.wordpress.com; by Tyler Lehmann]

“The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail. The trouble with most fiction is that you want them all to land in hell, together, as quickly as possible.” — Mark Twain

“A good writer knows his characters better than he does his closest friends. Oh, that sounds nuts, you say? Yep, probably.

But the reality is, no one will give a rip about your characters if you don’t make them come alive, as good ol’ Twain points out above. Humans are infinitely complex, and if your characters don’t mimic that complexity, the illusion that is reading is lost.

    1. Gender
    2. Age
    3. Ethnicity
    4. Body type
    5. Hair color and style
    6. Eyewear
    7. Facial hair
    8. Clothing style
    9. Tattoos and piercings
    10. Scars and birthmarks…”

For more tips on writing, and the complete list of traits from Tyler Lehmann, click here.

[found on http://tylerlehmann.wordpress.com/2013/01/09/80-powerful-questions-you-need-to-make-a-character-traits-for-creative-writing]

Sight Is Not the Only Sense

[found on thebookshelfmuse.blogspot.com; by ]

“Remember to use more than SIGHT to describe.

Sight is only one way to get an image across. The other senses like smells, sounds or touching can also reveal a lot about a character and create intimacy ties between the character and the reader through recognition. Use them to characterize! Our pal Melvin would probably steer clear of heavy scents, careful to always consider both his guests sensitivity to strong colognes and to maintain his background role. Yet I could imagine standing next to him in the elevator and catching a whiff of clean soap, or perhaps a touch of aloe from his hair gel.”

For more writing tips from Angela Ackerman, click here.

[found on http://thebookshelfmuse.blogspot.com/2010/04/writers-bane-describing-characters.html]

See Your Scene

[found on thewritepractice.com; by ]

“Visualize Your Scenes.

If you, the writer, cannot visualize the fight, expect the readers to have trouble as well. Visualize how each moment of the scenes will take place.

Try writing multiple ways of how the scene plays out. Ask other people to read them out. Did they like what they read? Were they able to picture out a clear image of the fight?

Remember: Action scenes don’t always involve fights. They can also be about your protagonist trying to race against time to stop a time bomb. But they always must be clearly written.”

For more great tips on writing from The Write Practice, click here.

[found on http://thewritepractice.com/pow-fight-scenes/]

Dialogue Your Characters

[found on theguardian.com]

“It’s never too soon to start thinking about what your characters will say and how they’ll say it. Giving each of your characters a distinct voice is key to writing great fiction.

The goal of Worksheet 9 is to encourage you to think about your characters’ individual speech patterns and specific word choices. Your characters will probably reveal these distinctions as your story progresses, but thinking about it early will make you more receptive to such revelations.

For each of your major characters, record information about individual speech patterns and any catchphrases they may use.

With this information in place on a dialogue sheet, you’ll know exactly what a given character will say and how he/she will say it. You can also use this worksheet during the final edit and polish of the manuscript to double-check speech patterns.”

[found on http://www.theguardian.com/books/2012/oct/19/researching-your-novel]

Writer’s Block?

“I’ve always said “Writer’s Block” is a myth. There is no such thing as writer’s block, only writers trying to force something that isn’t ready yet. Sometimes I don’t write for weeks. And then all of the sudden I’ll get a rush of inspiration and you can’t drag me away from my notebook. But I don’t stress out if I don’t hit some arbitrary word count each day or if I go a few days without writing something.” 

― Julie Ann Dawson

Show Up, It’s the Secret

[found on writing.ie; by Carol Tallon]

“Turn up, keeping turning up and don’t forget to breathe!

While this may not sound original or particularly enlightening, struggling writers should focus on this as a first step.  Turn up and keep turning up until it no longer requires any conscious effort.  You might not be in the mood to sit at the computer, and you may even feel that it is a waste of time if your mind is blank, turn up anyway.  The ego of a writer is a great thing as it means we will not tolerate a void, regardless of whether that void is in our mind, in conversation or on the screen in front of us.  Our aim will be to fill that void.  It’s a compulsion. Give into it. Over time, with discipline, your words and ideas will be transformed into concepts that can be shared with the world.”

For more tips from Carol Tallon, click here.

[found on http://www.writing.ie/resources/tips-for-writing-non-fiction-from-carol-tallon]