New Writer? Old Writer? 10 Things You Should Know.

[found on missourireview.com; by Michael]

“10 Things Emerging Writers Need To Learn

…You’re Talented, But Talented is Overrated. For better or worse, there is a sense of competition among writers. This happens naturally in the writing workshop environment. But it also happens long after the MFA degree is over. Thanks to social media, we see what other writers are doing all the time. Someone, somewhere, is publishing something new and wonderful. The writers achieving success are hard working. Being the most talented writer doesn’t necessarily translate into publishing success, which really comes from methodical and consistent work rather than raw talent.

Ignore the Clock. I’ve yet to meet the writer who was, in hindsight, happy with her/his first publication. In the rush to get things published, in whatever venue, it’s easy to forget publishing isn’t the ultimate goal. Publishing your best work is the goal. Anyone can publish. No one is waiting for your next great masterpiece. You might as well take the time to make your work the best it possibly can be.

Put Down The Phone. One of the biggest challenges for writers, a group of people (broadly) who are more introverted than most, is being social. Making it to readings, talks, and other community events, is an important step but you also need to be socially engaged. Hey, you already left your home to be out in public anyway, right? Take a moment to speak to the writer, the organizer, the other attendees. Believe me, this is not easy to do: I know I really struggle to say hello and shake hands too. But these small bits of engagement and consideration are not soon forgotten. Save the texting for another time.

Don’t Wait To Be Told What (or When) To Write. There comes a point where no one is going to tell what you should read, what you should write, and moreover, no one is going to point this out for you. Making time to write is not easy, but until we all get crowned with Guggenheims, we all need to carve out a few hours each week to focus on our writing. Protect this time with your life.”

To read more from MissouriReview, click HERE

[found on http://www.missourireview.com/tmr-blog/2013/08/10-things-emerging-writers-need-to-learn]

Schedule…or Never Make It

[found on authormedia.com]

“How to Make a Writing Schedule That Works For You

Pull out one of those giant calendars from Office Depot (or use a Google Calendar to sync with your smartphone). Start putting your deadlines in red on the calendar and then place the calendar somewhere next to your writing zone. Consider these deadlines sacred; the world will stop if you don’t make them.

If you don’t have a deadline, get one. Writers wither without deadlines….

Once all the deadlines are on the calendar page, see if there are any recurring themes within the articles. If there are, consider making that your theme for the month. This will not work in every scenario, but if a theme appears, take advantage of it. Think of it as the foundation of the platform you are developing that month.

Creating an editorial calendar may take a few hours, but it will save you time in the end.”

For more great tips on writing from AuthorMedia, click HERE.

[found on http://www.authormedia.com/how-to-creat-a-writing-schedule-that-works-for-you]

The Mind-Picture of a Novelist

“By his very profession, a serious fiction writer is a vendor of the sensuous particulars of life, a perceiver and handler of things. His most valuable tools are his sense and his memory; what happens in his mind is primarily pictures.” 

― Wallace Stegner, On Teaching and Writing Fiction

Finish Your Book…Already

[found on josephfinder.com; by Joseph Finder]

“1. Just write it. Fix it later. That means: don’t worry about word choice or grammar. Don’t worry about getting your facts right.

2. You do have time — if you really want to do it. You have a full-time job? A family? Carve out an hour or two early in the morning before the rest of the house gets up, or before you go to work. Or at night, if you’re not too wiped out to write. Try to make this a regular time slot — do it at the same time each day, for the same amount of time. Make it a habit. I know a number of writers who finally started making enough money from their writing to be able to quit their day jobs, only to discover that, as soon as they started writing full time, they suddenly became far less efficient. All that time stretching before them in the day — the two hours of writing per day they used to squeeze in here and there now took them eight hours. There’s something to be said for not having a lot of free time to write. It tends to make you more efficient.

3. Writing is a job. Treat it like one. I don’t work at home; I have an office, and I go there to write. If you don’t have an office, you should set aside a place that is just for you and your writing – the attic, the basement, a corner of the laundry room with a screen around it. If you treat your writing like work, your family and friends should do the same, and be more respectful of that writing time. No one thinks twice about interrupting a hobby, so make it clear that it’s not a hobby; it’s work. It’s your time.

4. Be ruthless in managing your time. This is the biggest problem most writers have. I have a big old hourglass on my desk for use on those days when I’m tempted to check my Facebook page. I upend it and don’t let myself get up until the sands of time have run out.

5. No e-mail! E-mail is truly our modern curse. It interrupts our attention span, fragments our concentration. Sign off. Do not let yourself check your e-mail or go online. Use an hourglass or a kitchen timer (if the ticking doesn’t drive you crazy) for 30 minutes or an hour, during which you may not do anything but write. In order to write you really need to get into the zone, and to get into the zone you need to be distraction-free. I love e-mail — but it’s the enemy!

6. Set interim goals. A full-length novel can be anywhere from 75,000 to 150,000 words, or even longer. If you think about having to write 75,000 words – 200 pages – you’ll freak yourself out. But if you write 1,000 words a day, you can finish the first draft of a novel in less than three months, even if you take some weekend days off.

7. Work toward a deadline. Everyone needs deadlines. Parkinson’s Law says that work expands to fill the time allotted; among my author friends, I know only one who regularly turns in manuscripts before they’re due (she was probably like that in school, too). The rest of us need deadlines. My publisher sets mine, but even before you’re published, you will find that your own life gives you natural deadlines: finish that draft before you leave for your next vacation, before you turn 40, before your next high school reunion.

8. Reward yourself. In The Fine Art of Feedback, I write about the challenges of getting and processing feedback – but while you’re writing, it’s not unusual for your brain to second-guess everything you’re doing. Override this by promising yourself rewards for getting work done. “When I hit 5,000 words, I’m going to the movies,” or even, “When I finish this paragraph, I can have another cup of coffee.” It worked in kindergarten and it works for me now.

Go to it, and good luck. Next time someone hears you’re writing a novel and tells you that they have a great idea for one, you can just smile and nod and think to yourself, Yeah, but I’m actually writing one . . .”

For more excellent information on writing from Joseph Finder, click HERE.

[found on http://www.josephfinder.com/writers/tips/just-write-the-damned-book-already]

It Takes A Writer….

“People talk about books that write themselves, and it’s a lie. Books don’t write themselves. It takes thought and research and backache and notes and more time and more work than you’d believe.” 

― Neil Gaiman, Smoke and Mirrors

Breathe Life Into Your Book

[found on blogs.plos.org; by Steve Silberman]

“David Shenk
Author of The Forgetting and The Genius in All of Us

    1. Make it great, no matter how long it takes. There’s no such thing as too many drafts. There’s no such thing as too much time spent. As you well know, a great book can last forever. A great book can change a person’s life. A mediocre book is just commerce.
    2. Get feedback — oodles of it. Along the way, show pieces of your book to lots of people — different types of people. Ply them with wine and beg them for candor. Find out what’s missing, what’s being misinterpreted, what isn’t convincing, what’s falling flat. This doesn’t mean you take every suggestion or write the book by committee. But this process will allow to marry your necessarily-precious vision with how people will actually react. I find that invaluable.
    3. Let some of you come through. You’re obviously not writing a memoir here, but this book is still partly about you — the world you see, the way you think, the experiences you have with people. And trust me, readers are interested in who you are. So don’t be afraid to let bits and pieces of your personality and even life details seep into the text. It will breathe a lot of life into the book.”

To read more from other great authors, click HERE.

[found on http://blogs.plos.org/neurotribes/2011/06/02/practical-tips-on-writing-a-book-from-22-brilliant-authors]

In The Trenches, Sigh In—Sigh Out

“Please don’t entertain for a moment the utterly mistaken idea that there is no drudgery in writing. There is a great deal of drudgery in even the most inspired, the most noble, the most distinguished writing. Read what the great ones have said about their jobs; how they never sit down to their work without a sigh of distress and never get up from it witout a sigh of relief. Do you imagine that your Muse is forever flamelike — breathing the inspired word, the wonderful situation, the superb solution into your attentive ear? … Believe me, my poor boy, if you wait for inspiration in our set-up, you’ll wait for ever.” 

― Ngaio Marsh, Death on the Air and Other Stories

Does Your Writing Have YOU?

“There’s one thing your writing must have to be any good at all. It must have you. Your soul, your self, your heart, your guts, your voice — you must be on that page. In the end, you can’t make the magic happen for your reader. You can only allow the miracle of ‘being one with’ to take place. So dare to be yourself. Dare to reveal yourself. Be honest, be open, be true…If you are, everything else will fall into place.” 

― Elizabeth Ayres

Do You Have A Daily Writing Schedule?

[found on menwithpens.ca; by Kari]

“Successful writers write NO MATTER WHAT.” — Kelly Stone

“I’m not a self-schedule-oriented person. It’s far easier to stick to someone else’s schedule than your own. Self-discipline can be HARD.

So when James told me that I need a daily writing schedule, I balked.

I don’t want a schedule! I can’t guarantee where I’ll be at any single time. What if something else comes up? What if my child is home sick from school one day and I can’t write at my scheduled time? What if I’m not inspired at that time but get inspired later on?

Every excuse imaginable went through my head. I set a schedule anyways, just to be dutiful – I kept it for two days and then I quit.

James can’t be right all the time. What works for her may not work for me. Everyone does things differently, right? I need to find my own writing path…

Three months later, how much had I written? Well, let’s not talk specifics, but it wasn’t nearly as much as I’d wanted to achieve.

In fact, I was really embarrassed — even though no one knew about this but me.

I’m a writer, and a writer WRITES, but it’s pretty hard to believe you’re a writer when you lack proof to reinforce the claim.

Then James – damn her – sends me a book out of the blue. Ironically, it was Time to Write by Kelly Stone.

Sigh. FINE, I thought. I’ll read it.

Stone’s book discusses why writers need a writing schedule. They need to create a habit, and creating a writing habit means writing on a regular basis. By setting a particular time of day aside to write, you’ll practice your craft and reaffirm your belief that you are, indeed, a writer.

You reaffirm your commitment to yourself.

Stone says, “A schedule gives [writing] the same importance as your other must-do activities. Just like grocery shopping, picking up the kids from daycare, and putting in hours at your job, writing will become part of the natural flow of your day when you schedule it.”

My problem was that I wanted to wait for the “right time” to write. I waited to be inspired or to have “enough” time, a nebulous amount that changes depending on the situation. Occasionally I’d discover time to write, here or there, but instead of writing, I’d find myself staring at a blank page feeling like I’d forgotten the entire English language.

“Waiting for the right time to simply appear in your busy day is a guaranteed way to ensure that you won’t write because something else will come up… Suddenly it’ll be time for bed and you discover that another day has passed and you haven’t written.”

You said it, Kelly. Many nights I’d go to bed without having written at all that day, and I’d mentally beat myself up about it.

Fortunately, a little further in the book, Stone talks about how different authors use different types of writing schedules. She interviewed over 100 professional writers, from fiction authors to freelance journalists, to reveal their methods of incorporating writing into their lives.

What she discovered was that writers tend to choose one of these methods – which one fits you?

    • The Early-Morning Writer:  Rick Mofina, a crime novelist, considers writing in the early mornings a key to his success because his creativity was in top form. Waking up and writing before work was easier than writing after work, when he felt exhausted from his day.
    • The After-Hours Writer:  Carmen Green, author of Flirt and What a Fool Believes, begins after her job and childcare duties are over. She writes from about 7:30 to 10:00 pm and then gets ready for bed.
    • The Office Writer:  Novelist Steve Berry takes his laptop to work with him and writes before his co-workers arrive for the day. He also writes during scheduled lunch breaks and stays late at the office to write after his co-workers leave.
    • The Blitz Writer:  C. J. Lyons, author of Arrivals, says, “As a pediatrician I worked part-time, which was forty hours a week. Time to write was obviously scarce, so I would let my stories ‘ferment’ until I had a day off, and then the words would just flow.”
    • The Mini-blocks Writer:  Kathryn Lance, author of over fifty fiction and nonfiction books, balances her writing time and personal life in mini-blocks. “I used to write a minimum of one fiction sentence every night before going to bed. Or actually, before going to sleep — I did this in bed. I recommend that to people who just can’t find time to do their fiction.”
    • The Commuting Writer:  Rick Mofina also uses his commute time to help achieve his early morning writing goals, which is perfect for writers who use public transportation to and from work. “I use the commute to make notes, usually critical notes to myself, so I know where I’m going.”
    • The Any-Opportunity or Combo Writer:  Physician and bestselling novelist Tess Gerritsen wrote whenever she wasn’t on duty. “I would write on my lunch breaks, as well as after I got home. I’d write whenever I could — weekends, early mornings, and late nights. After I got home, as soon as the kids were put down for the night, I’d start writing.”

There were all types of writers! Inspired and repeating my new mantra (“successful writers write no matter what!”), I set up a schedule. A proper schedule I wanted to stick to. Finally.

Yeah, yeah, I know — James was right. Just don’t tell her I said that.

As a bonus, Time to Write also addresses problems that different writers have in sticking to their writing schedules, providing solutions and practical advice that work.

From needing more motivation to actually sitting down at your scheduled time to the issues that prevent you from being able to write in the first place (writer’s block) to gleaning inspiration from your daily life, she’s got it all covered, with backup: published authors who’ve lived through that exact situation attest to each solution. That way, you know that it works – and if it worked for someone else, it can work for you.

Now that I have a proper schedule, with clear goals, I accomplish far more each day than ever before. I’m not leaving my writing up to chance.

And my writing schedule is set in stone. I don’t schedule anything in that time because I need to build respect for my writing.

I’ve made my writing goals fairly easy to achieve, of course. That way, I can reach my daily goal quickly and then either stop or continue a little further. But I fully intend to change up my goals and make them more challenging as I build my writing habit and become comfortable with it.

One other thing James keeps reminding me — and yes, she’s definitely right on this one — is that my writing time needs to end on a positive note. If I’m exhausted at the end of my writing time stopped writing because I was stuck or ended thinking, “Well, that wasn’t great,” then at some point writing will become a chore. I’m simply not going to want to do it anymore.

By ending on an upbeat note, I feel good about what I’ve just achieved and look forward to writing the next day. It makes it a breeze.

What about you? Do you have a writing schedule you follow on a daily basis? How do you stay motivated to write consistently every day? What advice worked best for you when you started to incorporate writing into your daily schedule?”

[found on http://menwithpens.ca/writing-schedule]

Rejected Before Fame

[found on bubblecow.net; by Gary Smailes]

“The list of famous writers who were rejected is long. Rejection and writing go hand-in-hand, but sometimes it feels that those pesky publishers simply don’t know what they are talking about.

We all know that quality of writing isn’t the only reason for reaction. Perhaps your book is not a good fit for the publisher, or the agent is looking for something ‘different’ or your work has just been misunderstood. Yet, no matter what the reason those rejection letters still sting!

Here’s eleven famous writers who were rejected and show that writers might just be right after all…

    1. Madeline L’Engle’s book, A Wrinkle in Time, was turned down 29 times before she found a publisher.
    2. C.S. Lewis received over 800 rejections before he sold a single piece of writing.
    3. Margaret Mitchell’s Gone With the Wind was rejected by 25 publishers.
    4. Zen and the Art of Motorcycle Maintenance was rejected 121 times.
    5. Johathan Livingston Seagull was rejected 40 times.
    6. Louis L’Amour was rejected over 200 times before he sold any of his writing.
    7. The San Francisco Examiner turned down Rudyard Kipling’s submission in 1889 with the note, “I am sorry, Mr. Kipling, but you just do not know how to use the English language.”
    8. An editor once told F. Scott Fitzgerald, “You’d have a decent book if you’d get rid of that Gatsby Character.”
    9. The Dr. Seuss book, And to Think I Saw it on Mulberry Street, was rejected for being “too different from other juveniles on the market to warrant selling.”
    10. George Orwell’s Animal Farm was rejected with the comment, “It’s impossible to sell animal stories in the USA.”
    11. The manuscript for The Diary of Anne Frank received the editorial comment, “This girl doesn’t, it seems to me, have a special perception or feeling which would lift that book above the curiosity level.”

I hope that these famous writers who were rejected will give you a little bit of hope on those dark rejection letter days!”

[found on http://bubblecow.net/11-famous-writers-who-were-rejected-before-making-it-big]