Don’t Fear Your Editor

[by Billi Joy Carson, Senior Editor/ Editing Addict]

 

Often, editors are presumed to do this to writers:

 

unnamed

 

Editors are members of your team—like coaches—wanting YOU (the author) to succeed. They are paid to find mistakes, errors, and faults, in order to make you a stronger and more successful author. They are not paid to pat you on the back, tell you how amazing you are, and do a little flattering dance to your glory—that is part of the marketing team’s job [haha!]. Your editor is not your friend—they aren’t there to encourage you by cheering your good points. They are there to point out the ugly and sloppy aspects that need help, that need polishing and fixing.

Don’t fear your editor. The editors are here for the authors. They aren’t going to highlight your face green (as the comic above suggests), but they are going to help you see the errors and weaknesses in your writing. Then (hopefully), you learn and grow, and become a stronger writer—which leads to an amazing author. A good editor can be a great teacher; make sure you treat their insights and time as valuable, because it is priceless.

Your editor will pick apart your work, but it doesn’t mean you are a bad author. It means your editor wants you to be better. Coach Lou Holtz, the winningest (yes, that is a word) college football coach, is known for tearing into his BEST players. He would pick them apart mercilessly. Why? Because he saw untapped potential. He wanted his players to improve beyond where they were. Even when they were good, he knew they could be great. A great football player is remembered, and people come to see them. A good football player is cheered for the one game, but no one comes back. Your editor wants your readers to come back.

Always pay your editor for their work. A great editor slowly reads through your book, flushing out the mistakes, making notes for the author, fixing the punctuation and grammar, checking with the author on flow and logic issues, researching quotes for accuracy, making sure your book aligns with the standard for publishing (per the Style Guides)….

How much your editor will do for your book, is dependent on which level of editing you have paid them for—just like taking care of your vehicle. If you take your car to a car wash, but you really wanted them to replace your muffler, you are going to be surprised. More than likely, they will leave a note on your receipt that you have a muffler dragging behind your car—but they will not have done anything for it, except wash and polish it. Know what you need (which editing package) and then be willing to pay for what you need. It will be worth it.

 

EditingAddict Slides.004 PROOFREADING

 

EditingAddict Slides.006

 

EditingAddict Slides.008

 

If you need a quote on your editing project, contact our senior editor, Billi Joy Carson.

[by Billi Joy Carson, Senior Editor / Editing Addict; artwork by Keely Mitchell]

 

14.08.03-BJC-sm

 

 

Questions for our editor, Billi Joy Carson, to answer next time:

Go back

Your message has been sent

Warning
Warning
Warning

Warning.

Simple [decluttered] Writing

William Zinsser on the need for simplicity in writing:


“Clutter is the disease of American writing. We are a society strangling in unnecessary words, circular constructions, pompous frills and meaningless jargon.

Who can understand the clotted language of everyday American commerce: the memo, the corporation report, the business letter, the notice from the bank explaining its latest “simplified” statement? What member of an insurance or medical plan can decipher the brochure explaining his costs and benefits? What father or mother can put together a child’s toy from the instructions on the box? Our national tendency is to inflate and thereby sound important. The airline pilot who announces that he is presently anticipating experiencing considerable precipitation wouldn’t think of saying it may rain. The sentence is too simple—there must be something wrong with it.

But the secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long word that could be a short word, every adverb that carries the same meaning that’s already in the verb, every passive construction that leaves the reader unsure of who is doing what—these are the thousand and one adulterants that weaken the strength of a sentence….”

 

William Zinsser’s book, On Writing Well, is an excellent resource for writers of all kinds. You can find it here.

Market the Author

[by Billi Joy Carson, Senior Editor/ Editing Addict]

Editor Tip: Market the Author

If you are an author, a blogger, or a copywriter…then correct spelling, punctuation, word use, and grammar is a necessity in all areas of your writing…books, blogs, marketing, advertisements, social media, queries, submissions, letters, and emails.

Why…?

I can hear the horrified gasps, feel the eyes rolling—doubt and fear from writers everywhere. Panic in the streets.

Before you throw your hands up, and stop reading, let’s look at the WHY behind this necessity.

 

You are always marketing YOU.

 

Your books come and go, but you, the author, remain constant. You are the first line of defense when it comes to marketing yourself—which you are doing every day, every time you write…anything.

You are marketing not only to readers, but to publishers, agents, editors, and your fellow authors who would network with you. You are marketing your writing ability—yes—but you are ALSO marketing your organization capabilities, your attention to details, your desire for accuracy….

What if you don’t care about details and accuracy? Publishers do.

Publishers, editors, and agents notice. In this world of instant access, through social media and blogs, your everyday comments and posts are seen.


If an author can’t be trusted to use the right word in 140 characters, why would they trust the author with a 300-page book?

 

Agents, editors, and publishers (oh my!) have deadlines. Organization is a big part of that. Make it appear you are organized—even if you have to fake it.

Here are some excellent tools to keep close to you, always. I suggest bookmarking them, as well as storing them on your smart phones and tablets—wherever you write, post, and email.

OneLook.com

  • Dictionary compilation of over 1000 dictionaries
  • Correct spelling not needed
    • It offers options for word spelling
    • Shows several dictionaries, with links.
  • Breaks search answers into four categories
    • General
    • Business (language)
    • Computing (language)
    • Slang*
      • *Words that haven’t made it into traditional dictionaries will show up here.
      • *Caution: When writing items for publishing (versus informal social media, emails…), only use a Chicago Manual of Style approved dictionary, like Merriam-Webster.

Other dictionaries:

Thesaurus:

Grammar:

  • Grammarly.com (not CMS approved, but still a great tool)
    • Copy/paste text in box—it shows grammar errors and weaknesses
  • Guide to Grammar & Writing
    • Quick lookup for parts of speech, word use, and grammar rules

Style Guides:

 

Questions for the editor to answer next time:

Go back

Your message has been sent

Warning
Warning
Warning

Warning.

[by Billi Joy Carson, Senior Editor / Editing Addict

 

Bound by Fear

 Guest Blog by H. Squires

 

I am a writer, an author, and storyteller. It took me a long time before I could utter those words either on paper or in conversation. I was bound by fear—afraid of being judged, ridiculed, laughed at, or simply disregarded. My voice climbed only as high as the paper stacked.

From the time I was a child, I enjoyed writing. Rarely, did I share my work with others—or even let people know my love of words. I only allowed family members to read my stories.

After I wrote my first novel, I fantasized about being published—which actor(s) could star in the movie, and the potential revenue it could generate—but I didn’t spend too much time in “La-la-land”. Instead, I got busy writing the second novel, and by the third, I felt my work should be published. I was ready to share it with the world. However, I wasn’t sure if it was good enough to move forward.

I knew my husband and daughters enjoyed the stories, but I felt their opinions were biased. After all, they were my family. I needed others to give me their honest opinions. I had many unanswered questions pertaining to grammar, continuity, and the lack of clarity when it came to editing. Even though I considered myself [somewhat] good at grammar, I wasn’t sure if I remembered everything from school. Does the story make sense, flow right, and keep the reader engaged? You can do only so much research from the privacy of your home. I needed help—actual, human, face-to-face support.

One of the first things I did was join a writing group. It was an all-women’s group, so the tension seemed less nerve-racking. The group meets three times a month—one of which is a teaching class on grammar and other helpful tips. The second meeting, we are instructed to read our latest work out loud to the others. This was the most difficult thing I’ve had to do in a long while. Reading to a bunch of strangers—a story that I concocted—sent me into a shaking-fit, so much so that I decided to hand my pages to another lady to read for me. I was astonished by all the positive feedback, something I hadn’t expected. They helped, reassured, and gave me honest advice. It propelled me farther.

Last year, I accomplished my goal. My third novel was published, and, for the first time, people were reading my work. It made me realize that others struggle with the very same issues as I did—not willing to share their stories. Some people are satisfied letting close friends and family read their work. For example, Emily Dickinson—a world-renowned poet—wasn’t discovered until after her death. Her younger sister found a lifetime of collective poems in Emily’s attic. Later, she sought the publication for her sister’s work. Imagine how different Emily’s life could have been if she had become published?

If you are a writer and have written poetry, short stories, or novels that serve as dust-bunny habitats, it’s time to consider sharing beyond family. Trust me, I know how hard it is, like bearing your soul to the world. Research local writing groups or go to online writer’s forums. You will get a lot of advice, constructiveness, and learn a lot. Who knows, you could be considered as the next Hemingway, Rowling, or Dickens?

Take care, my friends.

How to Find a Writer’s Group
Online Writer’s Community


Meet our Guest Blogger, H. Squires:

 

image

Heather Squires’ life calling to be an author began in 1989 in Phoenix, Arizona. As an editorial writer on staff at the Utopian Newspaper, she decided to seek further review and publishing. The first project to be completed outside of the journaling world was To Desecrate Man, an action novel; completed in 2005, it became over shadowed by the second project: Rogue, a young adult fiction-adventure novel.

Upon completion of Rogue in 2009, Squires’ place in the young adult fiction world became clear. The Sphere of Archimedes began to take shape, and was finished in 2011. Currently working on the sequel, The Omphalos of Delphi, she continues to create anticipation for the future of young adult fiction.

Amazon | Barnes & Noble  | HSquiresNovels | Blog | 
 | Facebook | Twitter | Goodreads | Email |
[See what H. Squires had to say about our editor!]

 

Motivation IS Possible

[found on time.com; by Eric Barker]

 

“You make goals… but then you procrastinate.

You write a to-do list… but then you don’t follow through.

And this happens again and again and again. Seriously, what’s the problem?

Why are we so good at thinking of what to do but so terrible at actually doing those things?

The problem is you’re skipping an essential step. Here’s what it is….

Productivity systems rarely take emotions into account. And feelings are a fundamental and unavoidable part of why humans do what they do.

We can’t ignore our emotions. Because of the way our brains are structured, when thought and feelings compete, feelings almost always win.

And we can’t fight our feelings. Research shows this just makes them stronger….

We need to think to plan but we need to feel to act.

So if you’ve got the thinking part out of the way – how do you rile up those emotions and get things done?

 

Get Positive
When do we procrastinate the most? When we’re in a bad mood.
 
Get Rewarded
Rewards feel good. Penalties feel bad. And that’s why they both can work well for motivating you.
 
Research shows that rewards are responsible for three-quarters of why you do things.
 
Get Peer Pressure
Surround yourself with people you want to be and it’s far less taxing to do what you should be doing.”

 

To read the rest of the motivating article from Eric Barker, and add his knowledge to your toolbox, click HERE.

 

[found on http://time.com/2933971/how-to-motivate-yourself-3-steps-backed-by-science/]

 

Marketing: The Work After THE END

Guest Blog by Ginger Scott

Your manuscript is done. You’ve typed THE END. You’ve self-edited and have had your mom, best friend, sister, cousin, aunt, and the neighbor proof just in case. You’ve hired an editor to make it perfect, and you’ve gone through formatting and various platforms for self-publishing, or have handed everything over to your publisher to take on the remains of the process.

Phew!

All done.

Oh, if only it were that easy. I know I am not sharing anything original in saying that being an author was always my dream. It’s a shared dream—a wonderful dream. But for me, achieving that dream was always just out of arm’s reach. I was stymied by fear—fear of rejection, fear of failure, fear that I would write something deep and personal and nobody would care. And getting over that first hurdle, the rejection one, was enough to keep me stuck in pause for a long time.

But one day I just had a moment. I refer to it as my “Jerry McGuire” moment, where I realized if I didn’t try, just once, to push through those barriers that terrified me, then I would regret it a little more every day until eventually I ran out of days to live with regret. So, I rolled up my sleeves, finished my first manuscript and decided to take a crack at self-publishing. (Confession: this cut out that first layer of rejection, and that’s what drew me to self-publishing initially.)

Writing was the fun part; dare I say, the easy part. Then the marketing began. My debut novel was a coming-of-age romance titled Waiting on the Sidelines, and before I hit publish, I read blog after blog on indie author dos and don’ts. I sent messages to some of my favorite indie authors, many who have gone on to become best sellers. And here is the cool thing—they all wrote me back. Every. Single. One of them. Colleen Hoover. Katja Millay. S.C. Stephens. Abbi Glines. Jamie McGuire. They are enormous names in my genre of YA and NA Romance. And they all took time from their busy lives to give me a boost when I truly needed one. I used their tips, went to many sites they recommended, and when it really counted, took to heart their advice to breathe and stay calm, remembering to enjoy the ride.

Marketing my first novel was a trial by fire. I pushed publish and went with the grassroots method, using my personal Facebook account to recruit word-of-mouth. The next week, I started to reach out to book bloggers. My goal was to write a personal note to a dozen every night. My list has grown to more than six hundred, and I spend time tailoring each email to the needs of each blogger. It’s that extra touch, I feel, that is vital. Book bloggers are the biggest ingredient in an indie author’s marketing plan, and I respect them greatly. So if I need to block out enough time every day to write with them personally, to create guest posts for them, to answer their questions, and to send them copies of my book in a format that works best for them, that’s what I’m going to do. This practice has proven most effective, and my first two novels, Waiting and its sequel, Going Long, have remained in the Amazon top 100 for sports romance books for more than a year. I know I owe the blogging community for this outreach.

My next emphasis was on social media. It’s one thing to be present, to post things and to share your own agenda—AKA pushing your book. But social media is just that—it’s social. You need to engage, having conversations on Twitter, reaching out to other authors and bloggers. Retweet for others, and guess what? Down the road, they will do so for you. We’re all in this together, and we’re stronger working together. The same goes for Facebook, posting and sharing for others, and asking your followers and fans questions so they feel inspired to engage in your posts. The more they interact with you, the more likely they are to come back. And really, as readers—powerful ones who share their opinions—keeping them happy, and coming back for more, should always be a top priority.

I’m on my fifth novel now, and I’ve learned a lot of things along the way. I still adhere to the lessons from above, but I’ve found a few other things that work. I’ve also found some things that don’t—at least, not for me. Advertising is tricky—Goodreads ads for indie authors aren’t very expensive, but the click-through rate is difficult to increase. At least, it has been for me. I invest very little in paid advertising here, because I have found that my own elbow grease and social-media strategy tends to have a bigger reach.

I’ve also incorporated things like YouTube book trailers (it helps that my background is digital marketing, and I’m fairly handy at video editing). Then I add things to the mix, like Spotify playlists to share the music that I listened to while writing, as well as regularly posted graphic teasers and excerpts from the book. I’ve learned that planning these various elements beginning a month out from a book’s release-date helps to build excitement, making your first day of sales far more successful.

Finally, for me, I have found the best paid-resource to be a service called NetGalley. This is a service that allows authors to make their books available to readers of influence. It costs me $399 for a title, and my book is available to reviewers, librarians, educators, and bloggers for six months. They can read the book for free under the honor system that they will leave me a review somewhere. Reviews are like marketing gold. Are there people who will check out your book in NetGalley and never leave a review? Yes. There are flaws in every system. But I would rather have one more reader and the off-chance that they will tell someone, even just one person, about my book, than not try this service at all. So the flaws, I suppose, are worth the pay-off in my eyes.

This is just a quick tour of some of the things that have worked for me. And every recipe for every author is just a little different, and that’s okay. It’s best to keep your mind open, and to try—especially things with little risk and low monetary outlay. Because once something works, it can become a powerful tool that will help power your dream.

If I can ever offer a tip or advice, or be one of those “boost” emails for you, please feel free to drop me a line. Check me out online at www.littlemisswrite.com, and in the meantime, thank you for reading!

Meet our Guest Blogger, Ginger Scott:

 

25374733b5480ad8986c31.L._V384939383_SX200_

Ginger Scott is a writer and journalist from Peoria, Arizona. She has been writing and editing for newspapers, magazines, and blogs for more than 15 years. She has told the stories of Olympians, politicians, actors, scientists, cowboys, criminals, and towns.

When she’s not writing, the odds are high that she’s somewhere near a baseball diamond, either watching her 10-year-old field pop flies like Bryce Harper, or cheering on her favorite baseball team, the Arizona Diamondbacks. Scott is married to her college sweetheart, whom she met at ASU (fork ‘em, Devils).

Her debut novel, Waiting on the Sidelines, is a coming-of-age love story that explores the real heartbreak we all feel as we become adults throughout our high school years.

She now has five books in YA/NA Romance. Waiting on the Sidelines, Going Long, Blindness, How We Deal With Gravity, This Is Falling (coming soon).

Amazon | Barnes & Noble  | Kobo | Smashwords | iBooks |
LittleMissWrite.com | Facebook | Twitter | Goodreads | Email |
[See what Ginger had to say about our editor!]

 

Weird Crimes of Grammar

Is anything else needed on a Monday morning than to watch “Weird Al” Yankovic sing about Word Crimes? We think not.

“Weird Al” Yankovic – Word Crimes

Grammar crimes are a crime. We wholeheartedly agree. Do your part; read a book.

Highlight to Success

[by Billi Joy Carson, Senior Editor/ Editing Addict]

Editor Tip: Highlight to Success

Every writer—no matter how strong a wordsmith—has at least one crutch word. To the author, the words remain hidden, and unseen, but to the reader, the words become machine-gun weapon rounds every time they read them.

The words are different for each author, just as style and genre differ. The impact of the words on the readers, however, remains the same. The more crutch words you have, the greater the possibility you will lose your readership. The pain of hitting word after word after word becomes greater than the desire to keep reading.

Have you noticed the number of times a variation of word has been used in these two paragraphs? Ten times in a ninety-five word count. A deft killer of writing, hiding in plain sight. Crutch words.

What are the most popular crutch words?

They are the small ones. Innocuous. Overlooked in read-throughs, and missed in proofing: and, had, that, my, he, she, it, her, him, said, looked, saw, turned, smiled, be, is, was, were, been.

Steps to becoming crutch-free:

1. Search [Edit/Find All] your manuscript for each crutch word listed above. You might be surprised how many times they pop up in your book.

2. Highlight all occurrences of the word you’re searching for (e.g. that)

a. How many highlights are clustered together?

b. If you feel annoyed seeing all the highlights…

(1) …guess how your readers feel?

(2) Time to fix it.

3. Rework the areas where the highlights show up clustered together

a. Many can simply be deleted without changing the meaning

(1) The man that was sitting at the table, told her that she was beautiful.

(2) The man, sitting at the table, told her she was beautiful.

b. Some can be reworded, or reordered, to strengthen the writing.

First paragraphs with highlight method:

Every writer—no matter how strong a wordsmith—has at least one crutch word. To the author, the words remain hidden, and unseen, but to the reader, the words become machine-gun weapon rounds every time they read them.

The words are different for each author, just as style and genre differ. The impact of the words on the readers, however, remains the same. The more crutch words you have, the greater the possibility you will lose your readership. The pain of hitting word after word after word becomes greater than the desire to keep reading.

First paragraphs reworded:

Every writer—no matter how strong a wordsmith—has at least one crutch word. To the author, it remains hidden, and unseen, but to the reader, the writing becomes machine-gun weapon rounds every time they read them.

The weaknesses are different for each author, just as style and genre differ. The impact on the readers, however, remains the same. The more crutches you have, the greater the possibility you will lose your readership. The pain of hitting word after word becomes greater than the desire to keep reading.

Once you master this, you will keep your writing alive, and retain your readership. It’s a tedious task the first two or three times, but it will eventually be second nature to you.

Questions for the editor to answer next time:

Go back

Your message has been sent

Warning
Warning
Warning

Warning.

[by Billi Joy Carson, Senior Editor / Editing Addict

A Professional Writer’s Five Top Tips to Getting Published

Guest Blog by Julie Gorges

The question all aspiring writers are desperate to know: How can I get published?

When I first dreamed of becoming a published writer decades ago, that’s the first question I always asked at author lectures. No one had any magical answers for me, so I foraged my own path.

As a result, I’ve been working as a professional writer for more than 20 years. During that time, I’ve had a non-fiction book I co-wrote published by one of the big-time publishers, McGraw Hill, started my own publishing company with a partner, published two young adult novels, and lived out my dream of having book signings at Barnes and Noble bookstores.

In addition, I’ve had thousands of articles published in magazines, newspapers, and websites. This past year, I’ve added blogger to my list of achievements and am working on my fourth book.

So what’s the secret to getting published? I don’t have a college degree and I didn’t know anyone in the publishing business to help get me started. So, don’t give up, there’s hope for all of you out there like me.

To help you out, here are my top five tips. However, be forewarned, there’s no magic involved.

Learn Your Craft

Before you begin sending manuscripts out, take the time to learn the craft of writing if you haven’t already done so. I’m always surprised how many people don’t take this essential step. No, you don’t need an English degree at a fancy college to become a writer. But you do have to learn the basics – whether that means taking writing classes at a local college, reading every book on writing you can get your hands on at the library, taking advantage of all the information on the Internet, or attending writer’s conferences. This is a simple tip, but a crucial one – be sure and learn basic grammar, spelling, and writing techniques before submitting your work for publication.

Start Small and Earn Writing Credits

Many aspiring writers want to start out by tackling the great American novel their first time out to bat. Why not start small and work your way up instead? Believe me; you’ll learn invaluable lessons along the way and become a better writer. In addition, rejections for short stories and articles are much easier to take than rejections for a book that you’ve spent months or years pouring your heart and soul into writing.

How did I break into the publishing world? Six long years after I took my first writing class at a local college and after countless submissions, my first short story was finally accepted for publication in a small literary magazine. Later that year, I sold an article I had written for one my college classes to a regional parenting magazine. These days, earning writing credits is much easier than it was 20 years ago with all the freelance writing sites like oDesk, Elance, Freelancer, along with dozens of others. You’ll have to work dirt cheap at first, but you can earn some writing credits. Hey, my first check for my short story was $22 and I was ecstatic. Just don’t give up your day job too soon.

Find an Agent

An agent is required for many of the larger publishing companies (but not all, as you can see in the section below, “Find a Publisher”) so it pays to try and find an agent to represent your work. If you take my advice in the previous section and earn some writing credits, you’ll be one step ahead in the game and have an easier time finding an agent.

How did I find an agent for my first novel? Like I said before, I didn’t know anyone in the business, so I bought a copy of Writer’s Market, made a list of agents that specialized in young adult fiction, and sent out query letters. I learned how to write a good book proposal and when a few agents expressed interest, I sent them exactly what they asked for, which varied slightly.

If you want to find an agent, edit and re-edit you manuscript, and make sure your query letter, book proposal, and/or sample chapters are free from any grammar or spelling errors. Don’t give up easily. Do your homework and make sure the agents you’re querying accept the kind of book you’re writing. And finally, don’t pay reading fees – generally it’s a rip off.

One more tip: This is a good time to develop a thick skin. Pay attention when an editor or an agent takes time to point out flaws instead of sending a standard rejection letter. Editors aren’t always right, but don’t automatically assume they’re wrong either, especially if more than one notes a particular weakness.

Be Unique

If you’re trying to get published, I don’t have to tell you, there’s SO much competition out there, so you MUST find your own unique voice and perspective. Just about every subject under the sun has already been covered, so it’s really important to find a different angle.

For example, when I approached publishers regarding a book on building steel-frame homes, there were already quite a few books on the subject. But I couldn’t find any that focused on building energy efficient steel-framed homes. When it came time to find a publisher, having a distinct angle is what made my proposal stand out from the rest.

Find a Publisher

Of course, this is easier said than done, but not impossible. By the way, I found a well-known publisher for my non-fiction book without an agent. My Writer’s Market was gold once again, and I simply sent out query letters and followed up with my book proposal if publishers were interested.

My tip: Be sure and have a detailed marketing plan in place before you begin this process. This book was co-written with my father, a civil engineer, and our plans included seminars, speaking events, as well as other promotional efforts. Remember that even the big time publishers expect you to get out there and promote your book like crazy. Of course, now publishers also want you to have a social media presence and build an author’s platform. The latest Writer’s Market suggests you need about 5,000 followers to get a decent advance. So, now that I have an idea for a fourth book, guess what I’ve been busy doing?

So there you go, my top five tips I have used to become a published, professional writer. While it’s true that the publishing world is constantly evolving, one thing hasn’t changed over the years – and it’s my most important tip of all if you want to be a successful writer – don’t give up! You’ll definitely need the three P’s of writing: patience, persistence, and perseverance.

As Richard Bach said, “A professional writer is an amateur who didn’t quit.”

In the meantime, try and enjoy the journey. Writing is certainly a roller-coaster ride with plenty of ups and downs, but it’s also an adventure.

 

Meet our Guest Blogger, Julie Gorges:

 

Julie-Gorges-Author-Photo

Julie Gorges is the author of three books, has had hundreds of articles and short stories published in national and regional magazines, and won three journalism awards while working as a newspaper reporter.

 

Follow her for amazing posts, and check out her blog, books, and social media!

 |  Facebook | Blog | Twitter | Email |
| Goodreads | LinkedIn | Amazon | Barnes & Noble |

 

Punctuate That Title

[found on thepunctuationguide.com]

“Titles of works

The titles of certain works are indicated with quotation marks, others with italics, and yet others with regular type.

The style presented here is consistent with The Chicago Manual of Style (16th ed.) and the MLA Handbook for Writers of Research Papers (7th ed.), and is appropriate for most academic and professional writing. Newspapers tend to favor quotation marks in place of italics for most titles.”

Click image:

1)   To see entire list

2)   To read more important tools from

thepunctuationguide.com

 

Screen Shot 2014-06-30 at 3.39.18 PM

 

[found on http://www.thepunctuationguide.com/titles-of-works.html]