Tag: novel
Urban Perfection
Research How-To…and Why
[found on copyblogger.com; by RYAN HOLIDAY]
“I’m going to talk about research. No, research is not very fun, and it’s never glamorous, but it matters. A lot.
If you want to be able to make compelling case for something — whether it’s in a book, on a blog, or in a multi-million dollar VC pitch — you need stories that frame your arguments, rich anecdotes to compliment tangible examples, and impressive data so you can empirically crush counter arguments.
But good research doesn’t just magically appear. Stories, anecdotes and data have to be found before you can use them.
You have to hunt them down like a shark, chasing the scent of blood across the vast ocean of information. The bad news is that this is an unenviable task … but the good news is that it’s not impossible.
It’s not even that hard … once you learn what you’re doing — and I’m going to teach you those skills.
By the time I was 21, my research had been used by #1 New York Times Bestselling authors like Robert Greene, Tim Ferriss, and Tucker Max. Was I a slave to study? Did I have to become a library hermit to accomplish this? No, I did it all in my spare time–on the side, with just a few hours of work a week.
Here’s how I did it …
Step 1: Prepare long before gameday [sic]
…This is the mark you must aim for as a researcher, to not only have enough material — and to know where the rest of what you haven’t read will be located — on hand to do your work….
Step 2: Learn to search (Google) like a pro
…How do you find a needle in haystack? Get rid of the extra hay….
Step 3: Go down the rabbit hole (embrace serendipity)
…One of my rules as a reader is to read one book mentioned in or cited in every book that I read. It not only solves the problem of ‘what to read next’ but it sends you on a journey down the rabbit hole….
Step 4: When in doubt, turn to the classics
…The Classics are “classic” for a reason. They’ve survived the test of time….
Step 5: Keep a commonplace book
…a book of quotes, sentences, metaphors and miscellany that he could use at a moment’s notice….”
To read the entire article from RYAN HOLIDAY, click here.
[found on http://www.copyblogger.com/content-marketing-research/]
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Get Your Mind Out of Your Way
[found on writetodone.com; by Ollin Morales of Courage 2 Create]
“What if I told you that the biggest threat to your writing is not your lack of passion, your lack of creativity, or your lack of skill?
What if I told you that the biggest threat to your writing is… your mind?
That’s right. Your mind is the biggest obstacle standing between you and all the work you are trying to accomplish.
Our mind is often the one that needs the most convincing that our writing is worthwhile. This is because our mind is hard-wired to protect us from any possible danger. You see, in order to protect us, our mind initially perceives anything it encounters as a threat—including your writing.
If this sounds strange, and kind of primitive, as if your mind is trying to protect you from a tiger hiding behind a tree in a jungle—then you’re absolutely right.
Your mind is still pretty primordial. So, your job as a writer is to hack into this primordial, hunter-gatherer mind, and update its software so that your mind works for you.
Here are just 4 ways to hack your mind so that you can become infinitely more creative:
1. Bypass Your Mind
…Get rid of all the thinking. Wipe your mind clean. Take a deep breath, and just go for it….
2. Trick Your Mind
…promise your mind that you will continue to worry about paying your bills AFTER you write a brief outline of that freelance article you’re working on….
3. Lower Your Mind’s Expectations
…If your mind sees that you’re making a big bet, then, it will immediately advise you against it—it may even try to thwart you from accomplishing the monumental task you’ve set up for yourself….
So, don’t make that big bet. Make a small one, instead.
4. Recalibrate Your Mind
…the return on your initial investment does not appear until much much later. This is something your mind has trouble understanding, and it’s your job to help your mind understand it….hack into your mind so that your mind works for you.”
To read the entire article from Ollin Morales at writetodone.com, click here.
[found on http://writetodone.com/4-ways-to-hack-into-your-mind-and-become-infinitely-more-creative/]
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Your Plot Needs Planning
[found on fictionfactor.com; by Lee Masterson]
Effectively Outlining Your Plot
“Have you ever had an idea for a novel, and then just sat down and began writing without knowing exactly where the story was going?
It happens to everyone at some point, but most people begin to realize that the events in your plotline get confused, or forgotten in the the [sic] thrill of writing an exciting scene. There are those who continue to write on, regardless, fixing any discrepancies as they work, or (worse!) those who do not check that events are properly tied in place to bring their stories to a satisfying conclusion.
And then there are those writers who believe that creating a plot-outline is tantamount to “destroying the natural creative process”. The belief is simple; by writing it out in rough form, you’ve already told the story, so the creative side of you will not want to write it again.
Whichever type of writer you are, creating a simple, inelegant outline to follow s not the same thing as already writing the story, and it could save you an enormous amount of time and rewriting later.
The purpose of an outline in this case is to be certain that your storyline is not straying too far from the original idea. It is also a useful tool if you need to determine if your idea is big enough to be developed into a novel-length work, and not left as a short story or novella.
Your outline should be a simple reminder that, no matter how many events or characters or situations arise, your main theme will never get lost in the jumble of scenes.
Of course, this brings us to the problem to what was discussed above. There are writers who have a tendency to over-plot, thus really killing any spontaneity as far as the writing process goes. The biggest difficulty here is forcing your characters to go through motions that may not fit into their personality make-up simply to fit into your pre-existing, overly planned plotline.
So how do you strike a fair balance between aimless writing and over-plotting? There are several ways to accomplish this….”
To read the complete article from Lee Masterson, click here.
[found on http://www.fictionfactor.com/articles/outlining.html]
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Originality Be Yours
“Geniuses can be scintillating and geniuses can be somber, but it’s that inescapable sorrowful depth that shines through—originality.”
—Jack Kerouac, WD
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News Can Strengthen…
Two Words? Oops, One Word
[found on quickanddirtytips.com; by Bonnie Trenga Mills]
“Do you want to get ahead (one word) or are you cooking an esoteric dish and want to get a head (two words)? That one little space can make a big difference in meaning: Either you are moving past others in business or you are purchasing a skull…..
When it comes to pairs such as “apart” with no space and “a part” with a space, the spelling doesn’t matter when you’re talking; both sound the same. When you write the words, however, you might forget to add a space, or you might add an unnecessary one. This problem crops up with all kinds of words, but in this episode we’re focusing on words beginning with the letter “a.”
Words That Start With “A”
Here’s a short list of pairs like “ahead” and “a head”: “alight” and “a light,” “abuzz” and “a buzz,” “apart” and “a part,” and, lastly, “ahold” and “a hold.” As you can see from this list, the one-worders beginning with “a” can be various parts of speech: “ahead” is an adverb, “alight” is a verb,” and “abuzz” is an adjective. The two-worders, on the other hand, consist of an article—the word “a”—and a noun: “light,” “buzz,” “part,” and “hold.” True, these words can sometimes be verbs, but when something follows the article “a,” it’s a noun (unless something such as an adjective comes between the article and the noun, as in “a delicious cake”).
“Alight” Versus “A Light”
Let’s see these four pairs in action. The first two—“alight”/“a light” and “abuzz”/“a buzz”—are the easy ones. You could say, “That annoying bee wants to alight on my nose.” This means the bee wants to land on your nose, and there’s no space in “alight.” If you say, “He turned on a light”—with a space—that means he was no longer enveloped in darkness.
“Abuzz” Versus “A Buzz”
In keeping with the bee theme, here’s our next example: “I heard a buzz.” A quick test for those listening: Is there a space or not? Well, yes, there is! “A buzz” with a space means “a buzzing noise.” “Abuzz” with no space is an adjective that means alive with activity, as in “The room became abuzz when the grammarian entered.”
To read the entire article from Grammar Girl, click here.
[found on http://www.quickanddirtytips.com/education/grammar/a-hold-or-ahold]
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Webinar: Meet the Editor
Editing Addict’s Billi Joy Carson is joining A Book’s Mind in a free webinar on June 19, 7pm (AZ time). Come join her as she shares about the editing process, and discusses its value in the publishing industry.
Registration:
When:
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Thursday, June 19, 2014
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7:00 PM – 7:30 PM (Mountain Time – Arizona)
Where:
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Webinar online
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Call in to listen
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See registration page for details
Editing Addict, LLC 