Writing Articles for Newspapers and Magazines – Tips and Tricks

[found on janetshaw.com]

“When it comes to writing for magazines and newspapers, the technique is quite different to that of writing fiction and non-fiction books, and even writing for the web. At the Boyup Brook Book Bonanza in May, I went along to a workshop on this particular subject. I picked up some useful tips which I thought I’d pass along to you.

The Opening Line

The opening line of the article must grab the reader’s attention straight away. This is no different to any other form of writing: a story must hook the reader in a very short space of time. The difference? In article writing, this hook must be the first sentence, not the second or the third.

Another crucial point here is the length of the opening sentence. The word count needs to be no more than twenty-two words for your grab line. This in itself is a challenge.

Sentence Style and Structure

Sentences need to be short in this style of writing. Similarly, paragraphs consist of only two or three sentences. There’s a lot of what they call white space in articles, a technique that’s used to break up the text, make it more appealing to read.

The Use of Quotes

An article is always more interesting to read if it includes quotes from someone with an expert opinion on the matter. But when doing this, the writer must make sure that he or she has relayed the quote accurately. It’s important to always check with the source to avoid the possibility of misquoting. This sounds like common sense, but it wouldn’t be hard to make assumptions or get a bit slack towards a deadline.

Language

In the examples read out at the workshop, and in further research I’ve done, it seems that the rules of fiction writing go out the window in article writing. Adverbs and adjectives are scattered throughout the text, as are metaphors and similes. Whereas in fiction writing, the emphasis is on erradicating adverbs and not overusing metaphors which can distract the reader, this is not the case in composing articles.

How To Query Editors

Sending off a query to a magazine or newspaper editor is different again to querying book publishers. In the latter case, the writer must follow the publisher’s submission guidelines to the letter. This could mean submitting a query letter and a synopsis, or a cover letter, synopsis and the first three chapters, or even the full manuscript. If the guidelines aren’t followed, the publisher won’t even consider the manuscript.

When a writer is contemplating having an article published in a magazine or newspaper, the instinctive response would be to send off the article as a way of demonstrating the high quality of work. Wrong. The advice in this workshop was not to waste time and energy producing articles that might never be picked up.

So what’s the answer? Easy. Send a query letter containing the following information:

      • knowledge of the magazine’s themes and content and an idea that would suit the readership;
      • a sample of writing
      • a writer bio, outlining credentials and past publications, if any; and
      • the writer’s qualifications for being able to write the proposed article.

The sample of writing referred to in the above list ideally should be the first two lines of the article; the opening sentence (the grab line) and the first sentence of the second paragraph. This demonstrates the ability to write and write well.

Some writers might feel terrified of submitting a query without having written the article. What if the idea is accepted? Can I deliver the goods on time? But the general consensus amongst the group was that sometimes writers need that little push to fire them up.

Expect Rejection

One thing that comes up time and time again in the writing world is to expect rejection. It’s normal in this industry. The important thing is to keep on going; keep writing those query letters, researching markets, coming up with new ideas. The more a writer’s name is seen by editors, the better the chance of finally getting something accepted.

One interesting school of thought amongst writers who submit to magazines in particular, is to go outside the magazine’s themes and styles. For example, some writers have struck gold when submitting a fiction piece to a non-fiction magazine, but still following their main theme. Obviously there is some leeway here with magazine editors. If something takes their eye and it brings another angle to the magazine, they’ll snap it up.

So what’s the bottom line? Keep on trying, think laterally, and enjoy the writing experience.”

[found on http://janetshaw.com/blog/writing-articles-for-newspapers-and-magazines-tips-and-tricks]

Breaking into Television Writing

[-written By Lee Goldberg]

“Reader Lauren Machin from Atlanta, Georgia asks:

How do I become a television writer if I don’t have any contacts?

Writer/Producer Lee Goldberg responds:

I get this question a lot, but it’s disingenuous, since I’m a TV writer/producer and whoever is asking me that is really asking me to either read their script or to invite them in to pitch. So, theoretically, they already know somebody in the business.

They’re luckier than I was when I got started. I didn’t know anybody in the TV industry. But I got in. How did I do it? Everybody’s story is unique. Most of those stories, however, share one common element. You have to put yourself in the right place to get your lucky break. And it’s easier than you think.

The first thing you have to do is learn your craft. Take classes, preferably taught by people who have had some success as TV writers.

There’s another reason to take a TV writing course besides learning the basics of the craft. If you’re the least bit likeable, you’ll make a few friends among the other classmates. This is good, because you’ll have other people you can show your work to. This is also good because somebody in the class may sell his or her first script before you do, and suddenly you’ll have a friend in the business. Many of my writer/producer friends today are writers I knew back when I was in college, when we were all dreaming of breaking into TV some day.

A writer we hired on staff on the first season of Missing was in a Santa Monica screenwriters group and was the first member of her class to get a paying writing gig. Now her friends in the class suddenly had a friend on a network TV show who could share her knowledge, give them practical advice and even recommend them to her new agent and the writer/producers she was working with.

Another route is to try and get a job as a writer/producer’s assistant on an hour-long drama. You will only get a meager salary, but you will see how a show works from the inside. You’ll read lots of scripts and revisions and, simply by observation, get a graduate course in TV writing. More important, you’ll establish relationships with the writers on the show and the freelancers who come through the door. Many of today’s top TV producers were writer/producer assistants once. All of the assistants I’ve had have gone on to become working TV writers themselves, not because I gave them a script assignment or recommended them for one. I didn’t do either.

The first step towards getting in to pitch a TV producer for an episodic writing assignment is to write an episodic teleplay on spec. By that I mean pick a show and write an episode for it.

Although there are some producers who prefer to read screenplays, most showrunners, agents, and network executives want to read an episodic teleplay. Even if your spec feature script has acceptable levels of dialogue, characterization, and structure, people thinking of hiring you will still wonder “yes, but can he handle my characters? Does he understand the four-act structure?” An original piece can demonstrate that you have a strong voice, but it doesn’t show whether or not you blend that voice with ours. Can you write what we need without losing whatever it is that makes you unique? That’s why we need to see your talents applied to a TV episode. To someone else’s characters. To someone else’s voice.

How do you pick a show to spec? Easy. Pick a show you like. Odds are, if you’re thinking about trying to become a TV writer, you already know what show you want to spec – you just don’t know you know. It’s the one you watch every week, and when it’s over, you find yourself thinking, “That was pretty good, but wouldn’t it be cool if -“

Don’t worry about what’s hot and what’s not – choose a show you feel a connection to, one that you “get.” With some exceptions:

a) Try to stay away from syndicated or basic cable science fiction shows like Andromeda or Stargate. Or even a basic cable drama shows like Strong Medicine or even my show, Missing. Not because they aren’t good shows, but because most showrunners and network executives don’t watch them. They wouldn’t know whether a Farscape or Wild Card spec was any good because they’ve never seen the shows.
b) Also try to stay away from first-year shows, unless they are big hits. Otherwise, by the time you finish your spec, the show could be cancelled already and your script will be useless. No one is going to read a spec for a show that was cancelled after 13 episodes.

Many writers feel compelled to write a Sopranos or The Shield simply because they’re “hot” shows. That’s great if you have some kind of feel for the shows, but if you don’t, you’re not going to write a good Sopranos no matter how fine a writer you are.

What shows do you look forward to? Which world would you like to live in? Which characters would be happiest living in your brain for a few weeks? That’sthe show to write.

What you’re going to be writing is a typical episode. It’s not your job to write the show you think it should be; it’s your job to write the best possible version of the show that is. You need to prove that you can mimic the style and feeling of a show while still letting your unique voice and vision shine through

Let me underscore this again. You want to write a typical episode. You don’t want to write a “mythology” episode that delves into the deep backstory at the heart of the series. If it’s a show that derives much of its conflict from the sexual tension between two characters, you don’t write the episode where they sleep together. If it’s a show about people lost in space or on an island, don’t write the episode where they find their way home or get rescued. If it’s a show about a fugitive on the run for a crime he didn’t commit, don’t write the episode where he proves his innocence. (And don’t ever, ever, ever write a spec “cross-over” with characters from another series, movie, book, or animated cartoon).

What you’re trying to prove with your spec is:

-You’re not illiterate. You know how to write.
-You know how to write a script in the proper format.
-You know how to structure a scene.
-You know how to structure an act.
-You know how to tell a story.
-You understand the four-act structure.
-You can craft a story that serves the franchise of the show (i.e. a story that could only be told within the conceptual framework of that particular series).
-You can capture the voices of the characters.
-You can capture the story-telling style of the show.

What you aren’t trying to prove is how clever you are, or how much better you’d be writing the show than the people who are already writing it. Your goal is to write an entertaining, tight, typical episode of the show that illustrates your professional skills, not your amazing style and unique voice. While TV producers are interested in your voice, what they really want to hear is how well you capture their voice. Your job as a TV writer is to channel the showrunner’s vision, not your own.

And as soon as you finish writing that terrific spec, start on another for a different series, preferably one that’s the opposite of what you’ve just written (i.e. a procedural and a melodrama). Because the first thing a TV producer will ask after reading your spec is:

“Does he have another spec I can read?”

[found on http://www.writersstore.com/breaking-into-television-writing]

7 Basic Skills Needed to Work in Sports Writing

[written by Porsche Farr in Sports Media]

“Sports writers come from all walks of life. Young and old… new and experienced.

Readers often find articles or blogs written by journalists, industry professionals, bloggers, fans and anyone else that may have an interest in a particular sports topic.

For an aspiring sports writer who wishes to succeed and become credible as a sports writer, the writer must first develop certain basic skills. Here are the basic skills you will NEED to work in sports writing.

1. Broad Understanding of Sports Business

Different leagues and entities within sports operate just like any other business.  Accordingly, sports writers must have a general understanding of how sports work as businesses in order to thoroughly complete a given assignment.   In sports, there are marketing, finance, public relations, communications, sales, legal, sponsorship and several other departments.  A given story can cover any of the given disciplines.  For instance, a writer covering a story about the implication of a league lockout will have to understand how a lockout legally affects both sides but also understand how it affects sales, public relations and other aspects of the league’s business.

2. Actual Industry Knowledge

Before writing about a certain sport or a certain topic within sports, writers need to have in-depth industry knowledge about that particular sport or topic.  Simply put, if a writer is confused or unclear about a given topic, the reader likely will be too.  In addition to knowing background information, writers should also know sports lingo and terminology.  Aspiring sports writers should also make sure that they continually strive to maintain current industry knowledge and trends.

3. Research Skills

Though some may live for the sensationalism and gossip perpetrated in sports media, a good writer should know how to find out all of the real facts that make up a particular sports story.  Instead of speculating or developing theories, writers should complete the appropriate research on a given topic before going to press.  If the story involves a particular court case, actually find court documents to support what the article discusses.  If the story involves business projections, look for certain market data.  Use due diligence to ensure that everything written is true and correct.

4. Ability to Connect With Sports Fans

Every writer writes for a particular audience.  Whether that audience consists of sports fans in general, sports fans of a particular sport or sports professionals, the writer must keep this in mind.  An article, column or blog should read in a way that not only keeps readers interested in a particular story but also keeps readers wanting to read more of that writer’s stories.  A lot of sports fans have favorite bloggers, columnists and broadcasters that they follow to get their daily sports news.  Sports writers should strive to develop a loyal following of readers.

5. Creativity

When readers find interest in a particular topic, they may peruse various articles and columns about the same topic.  The audience that sports writers cater to want to read about more than one opinion and see the same topic from various angles.  Regardless of their position on a particular topic, the readers enjoy the competition and debate sparked by sports.  When writing about a particular topic, a writer should hold true to their viewpoint while presenting the information in a creative manner at the same time.  Avoid following the opinions of fellow sports writers just because and feel free to embrace originality.

6. Basic Command of the English Language

Regardless if you write for theWall Street Journalor if you write for your own personal blog, possessing strong writing skills is a MUST.  In 2013, sports news breaks on smaller blogs, Twitter and Facebook just as often as it breaks on major sports websites.  With news breaking so quickly, a lot of sports writers put out stories with typos and poor grammar.  Take the time to get back to the basics and ensure that every article exhibits the best possible grammar, punctuation and word usage.

7. Familiarity with Current Associated Press Stylebook

When publishing articles, writers must take heed to the proper formatting guidelines used across the industry.  Most organizations follow the Associated Press Stylebook formatting.  Even though a writer can state the same idea several different ways, the stylebook specifies which rules writers need to use when writing for magazines, newspapers and other broadcasting mediums.  Sports writers should become familiar with the AP Stylebook and keep it handy when writing articles.”

[found on http://www.sportsnetworker.com/2013/01/28/7-basic-skills-neede-to-work-in-sports-writing]

Nine Things You Need to Know Before You Write Your Non-Fiction Book

[found on the creativepenn.com; by JOANNA PENN on JUNE 5, 2012]

“I started with writing non-fiction and it really did change my life. I’m actually working on rewriting my first book at the moment and I also devour non-fiction books so it definitely remains important to me. In this guest post Nina Amir, author of ‘How to Blog a Book’ poses some provoking questions that anyone embarking on writing a non-fiction book should ask themselves. 

Inspiration hits. The light bulb goes on. You’ve got a passion, and you pursue it. You see a need, and you fill it. There’s a question, and you answer it. You have a purpose, and you fulfill it.

These are all great reasons to begin writing a nonfiction book. And most writers, when struck by a good idea and the desire to write, simply begin writing. However, an even better reason exists to take a bit of time before you beginning writing to evaluate your idea—at least if you want your book to be successful.

Evaluate? I can hear you groaning. No one wants to evaluate anything, especially that book idea you are so psyched about.

If you simply want to write the book of your heart and you don’t care how many copies you sell, great. Go for it.

If you want to write a successful book, meaning one that sells to lots of readers or to a traditional publisher and to lots of readers, however, it behooves you to take the time to consider if your idea is a good one by industry standards.

To do this, I suggest you discover nine things about your book idea. Once you have this information, you’ll know if your book has a chance of success.

1. What Your Book Will be About and Why Would Someone Would Want to Read (Buy) It

You’d be amazed at how many writers cannot tell you in 50 words or less, or in 30 seconds or less, what their book is about. They also may not be able to list the benefits their book will provide to readers. Before beginning to write your nonfiction book, hone your topic and its angle. Figure out why someone would want to read your book rather than someone else’s book on the same topic. Write a pitch or elevator speech, a short statement that describes the essence of your book, and follow it with some bulleted points—the added value readers will take away from its pages. Think of this exercise like writing back cover copy. What might you say or write about your book that would make someone carry it to the register?

2. Who Wants to Read Your Book

Make sure you know your average reader—that one person you are writing for—as well as the size of your book’s market. Who wants to read your book, and where do you find them? How many of these people exist in the world? Are there enough of them to justify writing your book? This market research tells you if anyone is out there to read (buy) your book and helps you know for whom who you are writing.

3. Whether Your Book Will be Unique and Necessary

Make sure the book you plan on adding to the mix is not only unique compared to the other books in your niche or category but also necessary before you add one more title to the staggering number of books in print. Take a good hard look at what other authors have already written and published. Is what you want to write different—different enough to make someone purchase your book rather than an established title or a book by an established author? And is there a need for another book on the subject? If no books have been written on the subject, why? Is there a need for even one book on the topic?

4. If You Have Enough Content to Fill a Book

Sometimes writers think they have enough material for a book when really they only have enough for an article, or a couple of articles. Or they think they know what content they are going to include in the book, but when they finish the first draft, they discover they produced a manuscript that is scattered, rambling, misses the point, or leaves out essential information. Avoid these problems by mapping out your content first. Actually do a mind mapping exercise, which entails brainstorming while creating a large diagram of all your possible content and then organizing all these ideas into a table of contents or an outline. When you are done with this process you’ll know if you have enough content to fill a book, and you’ll know what content you plan to include in the pages of that book.

5. How You Would Describe Your Book’s Content

Bring your book to life with a short synopsis for each chapter. This accomplishes two things. First, when you couple this chapter-by-chapter synopsis with your table of contents, your pitch and list of benefits, you will have the best writing guide possible. Second, when you have finished the synopsis of all your chapters, and you have completed the previous four steps, you will suddenly have a clear picture of your book and feel ready to write your book. Why? Because it will seem real to you. If you can see it and it seems real, if your idea stood up to all the prior steps, it’s likely a viable book.

6. How You Will Ensure You and Your Book Succeed

Whether you self-publish or land a traditional publishing deal, you will need to promote your book. And promotion does not begin after the book lands in your hands as a finished product. It begins the moment that light bulb goes off in your head. Spend some time considering all the options you have to build awareness for yourself and your book as you begin the writing process as well as after you launch the book.

7. Why You Are the Best Person to Write This Book

Most nonfiction books are written by experts. Decide if you are the expert on your topic, how you will become the expert, or if you might need to bring in other experts (maybe a co-author, contributors or experts to interview). Also, does writing this book fulfill a sense of mission for you? If so, you might want to consider how to get that message across in the book and in your promotional efforts. Plus, in this step, it’s important to ask yourself if you have what’s called an “author’s platform.” Do you have a fan base or a large, loyal following of people who know you in relationship to the topic about which you plan to write? If not, you need to consider how you will begin building that built-in readership for your book.

8. If This is the Only Book You Will Write on This Topic

The more books you write, the more books you sell. That’s why it’s a good idea to spend a moment brainstorming other “spin-off” books on your topic. This is especially important if you want to create a business around your book or attract a traditional publisher. As an expert author, if you have more books, you can create more products and services to sell to readers. And publishers like to take on multiple-book authors.

9. How You Want to Publish Your Book

At this point, if you decided your book is marketable and has a chance of succeeding, you can begin writing your book—with one caveat. You need to know what publishing route you plan to take. If you plan on self-publishing, you can go ahead and write the whole book. If you plan on approaching traditional publishers, you only need to write 25-30 pages, or about two chapters, but you also need to write a book proposal, which includes all the information you just compiled. You then will submit the proposal to agents and publishers

Armed with this information, and assuming you discovered your idea is a viable one, you’re ready to take action on your inspiration. Turn your idea into a successful book.”

[found on http://www.thecreativepenn.com/2012/06/05/write-a-non-fiction-book]

How to Write a Play

[found on backstage.com]
“1. The play does not always start at the beginning. Sometimes the first scene you write ends up in the middle of the play. This happens because when I write, I’m really channeling the voices of my characters.
2. A play is made up of moments that the character experiences as the story is revealed.
3. Ernest Hemigway said: “Good writing is true writing.” The best writing comes from trusting your gut feeling!
4. Even though every play or story has a beginning, a climactic moment, and a resolution, i stay true to the story by not trying to control it.
5. Teach the audience through laughter. The audience is able then to sympathize with their struggles and acquire a new sense of understanding for the world in which these characters live.”
[found on http://www.backstage.com/advice-for-actors/first-person/5-tips-writing-play]

How to Write an Article in 20 Minutes

[found on copyblogger.com]

“I don’t really want to spend more than 20 minutes a day on writing articles. And I spent no more than 20 minutes to write this article.

I realize this is writing blasphemy. Internet marketing is powered by content, and content is king. But when I have a daily schedule to post on and a business to run, I don’t have time to spend hours polishing every single blog post or writing 2,000-word articles.

Writing quickly doesn’t mean compromising on writing well, though. I’ve got seven tips to get you in and out of that composition box in twenty minutes – without sacrificing quality.

1. Keep an idea list.

When inspiration for a post strikes, scribble it down in a notebook or a word file. For many bloggers and content creators, finding the topic to write about takes up half the time. Keeping an idea list lets you leap in to a new post quickly when you’re ready to write.

2. Let your ideas incubate.

If you try to force yourself to come up with supporting information for your brilliant idea right away, it’s going to take ages. Let that topic sit for a few days, though, and you can add new ideas as they occurs to you – and when you’re ready to write, you’ll already have all the supporting info you need.

3. Edit before you start

You’ve probably got twice as many ideas as you need at this point, so it’s time to be brutal. Cut out any supporting idea that doesn’t fit with the main topic of the article. Remember, we’re talking about how to write an article in 20 minutes, not an epic. You can always use the ideas you don’t need for later posts.

4. Use bullet points

Bullet points, or numbered points like “10 Ways to Get More Subscribers”, can make writing an article a lot simpler in terms of organization because you no longer have to figure out transitions from one idea to the next. The great side benefit is that readers like lists; they’re easier for the eye to follow.

5. Keep it short

If you want to finish that article in 20 minutes, try to keep it under 500 words. Don’t feel like you’re skimping on quality content, either: this article is only about 500 words but it’s chockfull of information. Make every word count and you’ll save time without letting quality slip.

6. Come back later

If you find that you’re stuck, don’t try to force the words to come. Save the article and work on something else for awhile. If inspiration strikes, open up that document again. You can even switch from one blog post to another, spending a few minutes on each as ideas comes to you. It’s a huge time-saver.

7. Never save a good idea

It’s tempting, when you look through your list of ideas, to save the best ones for later because you think they’ll be easier to write. You don’t want to save time later, you want to save time now. Do the articles you know will come easily and make the most of that time.

Follow these simple steps and you’ll be on your way to brilliant articles in a fraction of the time.”

[found on http://www.copyblogger.com/write-article-fast]

I’m a poet, but I don’t know it.

[found on writingforward.com]

“36 Poetry Writing Tips

    1. Read lots of poetry. In fact, read a lot of anything if you want to produce better writing.
    2. Write poetry as often as you can.
    3. Designate a special notebook (or space in your notebook) for poetry writing.
    4. Try writing in form (sonnets, haiku, etc.).
    5. Use imagery.
    6. Embrace metaphors but stay away from clichés.
    7. Sign up for a poetry writing workshop.
    8. Expand your vocabulary.
    9. Read poems over and over (and aloud). Consider them, analyze them.
    10. Join a poetry forum or poetry writing group online.
    11. Study musicality in writing (rhythm and meter).
    12. Use poetry prompts when you’re stuck.
    13. Be funny. Make a funny poem.
    14. Notice what makes others’ poetry memorable. Capture it, mix it up, and make it your own.
    15. Try poetry writing exercises when you’ve got writer’s block.
    16. Study biographies of famous (or not-so-famous) poets.
    17. Memorize a poem (or two, or three, or more).
    18. Revise and rewrite your poems to make them stronger and more compelling.
    19. Have fun with puns.
    20. Don’t be afraid to write a bad poem. You can write a better one later.
    21. Find unusual subject matter — a teapot, a shelf, a wall.
    22. Use language that people can understand.
    23. Meditate or listen to inspirational music before writing poetry to clear your mind and gain focus.
    24. Keep a notebook with you at all times so you can write whenever (and wherever) inspiration strikes.
    25. Submit your poetry to literary magazines and journals.
    26. When you submit work, accept rejection and try again and again. You can do it and you will.
    27. Get a website or blog and publish your own poetry.
    28. Connect with other poets to share and discuss the craft that is poetry writing.
    29. Attend a poetry reading or slam poetry event.
    30. Subscribe to a poetry podcast and listen to poetry.
    31. Support poets and poetry by buying books and magazines that feature poetry.
    32. Write with honesty. Don’t back away from your thoughts or feelings. Express them!
    33. Don’t be afraid to experiment. Mix art and music with your poetry. Perform it and publish it.
    34. Eliminate all unnecessary words, phrases, and lines. Make every word count.
    35. Write a poem every single day.
    36. Read a poem every single day.”
[found on http://www.writingforward.com/writing-tips/poetry-writing-tips]