Tag: Writing
Vocabulary? Can’t I just write how I talk?
[found on time4writing.com]
“Why is a Strong Vocabulary Important?
We use spoken and written words every single day to communicate ideas, thoughts, and emotions to those around us. Sometimes we communicate successfully, and sometimes we’re not quite so successful. “That’s not what I meant!” becomes our mantra (an often repeated word or phrase). However, a good vocabulary can help us say what we mean.
For example, let’s say that you are outside in your yard and see a large black car stop in the road. You can see four tinted windows on one side of the car, and you assume there are four tinted windows on the other side, too. Just then, the driver’s door opens, and a man wearing white gloves steps out. He walks to the back of the car and looks underneath. He shrugs his shoulders, climbs back into the car, and drives away. After you remember to close your mouth, which has been hanging open, you run next door to tell your friend what you saw. What do you say? If you know a couple of key words, you can quickly explain to this person what you saw. Instead of describing the number of windows and the length of the car, you could simply say that you saw a black limousine (a long, luxurious car). Then, instead of describing the man with the white gloves, you could say you saw the chauffeur (someone paid to drive a car or limousine) walk to the back of the car. Knowing these key words can help you quickly and effectively communicate your meaning.
When you’re faced with a writing assignment, a good vocabulary is an indispensable (very important or necessary) tool. If you have several synonyms (words with similar meanings) in your repertoire (“toolbox”), you’ll be able to choose the best word for the job. Avoid vague words like “stuff” or “things” when you write. These words do not give the reader a good sense of your meaning. Also, use strong verbs that give the reader good information.
Here’s an example:
- POOR: People do a lot of things.
- BETTER: People perform a lot of tasks.
Work on building your vocabulary so that you can choose the stronger, more descriptive words in your writing.
You may also want to vary your vocabulary depending on your audience. Are you writing for children? Then stick with simpler words. Are you writing for college students? Then pull the more difficult words out of your “toolbox” to avoid talking down to them. It’s important to consider your audience when writing.
You may also find it difficult to choose the best word for a sentence when you’re writing. If you have a strong vocabulary, these choices will be easier!”
For more great tips on writing from Time4Writing, click HERE.
[found on http://www.time4writing.com/writing-resources/vocabulary]
Don’t Twain Yourself
“One should never use exclamation points in writing. It is like laughing at your own joke.”
― Mark Twain
Muahahahahaha!
“Revenge is a dish best served published!”
― Lisa Kovanda
Don’t Stay Mediocre, Success Is Waiting
[found on copyblogger.com by Jonathan Morrow]
“5 Crippling Beliefs That Keep Writers Penniless and Mired in Mediocrity
Is it just me, or is the whole starving artist thing highly overrated?
Yes, there’s a certain romanticism to being a penniless vagabond, sacrificing material goods in the selfless pursuit of art.
Yes, it’s fun to fantasize about everyone suddenly realizing you’re a genius after you’re dead and auctioning your once-soiled toilet for nearly $20,000.
Yes, it’s hip to take a stand against evil capitalists and proselytize about constructing digital economies based on currencies of cool.
But eventually, it gets old.
I know, because I’ve been there. In college, I was the epitome of the starving artist, winning poetry competitions and acing English classes with ease and then bumming gas money to get home, but eventually I realized three things …
- No matter how good your poetry is, girls think you’re lame when you take them out for a romantic dinner at Taco Bell
- After sleeping in your car for a week, you don’t feel like writing a damn thing
- Pretty much the only job available to English majors is to become an English teacher, and they’re some of the most underpaid, under-appreciated people on earth
Sooner or later, you begin to reconsider. I mean, no, you don’t have to be rich and famous, but would having your own apartment and being able to afford food be so bad? Hell, it might even help your writing.
So, you embark on your quest to make some money.
You try to write some articles for magazines and newspapers. You hire yourself out as a freelance copywriter (even though you probably have no idea what copywriting is). You start a blog and wait for the world to beat a path to your door.
And if you’re lucky, you survive. No, you’re not sitting by the beach drinking margaritas, but you have food and a bed and a car, and people don’t worry about catching weird diseases when they’re standing beside you in the elevator. It’s nice, but you still haven’t “made it,” and you wonder why.
In my experience?
It’s because you don’t have your mind right. You have these nasty little demons sitting on your shoulder, feeding you lies about the relationship between success and art. You probably picked up some of these ideas from your parents, others from your teachers, and still others from fellow writers and artists.
And if you let them, they’ll cripple you. You’ll go through your whole life knowing you’re talented but never quite making it and forever wondering why.
We can’t let that happen.
Below, you’ll find some of the most common beliefs that hold writers back. Take a look, and see if any of them look familiar:
Crippling Belief #1: It’s all about you
The most heinous lie to ever infect the mind of a writer is the belief that your work is all about you.
You believe your writing is a form of self-expression, an extension of your mind, a little piece of your soul imbued into the page. To write well, you just need to beauthentic, and if the world doesn’t like it, the world can go to hell.
Provocative, right? And like all the best lies, it has a grain of truth to it.
Yes, authenticity matters, but only to the extent people enjoy what you do. You’ll never find me auditioning for American Idol because, the fact is, I couldn’t carry a note to save my life. Yes, my voice is authentic, but it’s authentically bad, and that means I’ll never be a singer.
Writing works the same way. To be successful, stop worrying about who you are and start thinking about what your audience wants.
What do they like? How is it done? Only after you’ve answered those two questions are you ready to ask the third one: is it right for you?
I can’t overstress how important the order is. Them first, you second, never the other way around.
Crippling Belief #2: Building a following takes time
The last bastion of hope for any struggling writer is that building a following takes time.
Sure, life sucks right now, but if you’ll just hang in there, things will snowball, and everything will be all right.
It seems reasonable. After all, no one gets famous overnight, right? Everywhere you look, there are stories of successful people persisting when there was no hope, trudging forward one weary step at a time, unwilling to quit, clinging fiercely to their dreams, manifesting success through sheer power of will.
It’s inspiring… but it’s also deceptive.
Yes, building a following often takes time, but it’s not because people are slow on the uptake, incapable of seeing your brilliance until you’ve been around for a few years.
It’s because, when you’re a newbie, you do everything wrong, and most of us get knocked around for a few years until we figure out how to do it right.
In other words, you’re not waiting on the world. The world is waiting on you.
Yes, persistence is important. Yes, learning takes time. Yes, it’ll probably be slow and painful. But the sooner you learn, the sooner it will be over. So get busy.
Crippling Belief #3: You know what you’re doing
So, let me guess:
You’ve always been a pretty good writer, right? No, you haven’t won a Pulitzer or anything, but your teachers fawned over you in school, and your friends and family are awestruck by your skill with words.
Maybe you’ve even written for a magazine or newspaper a time or two and gotten some real credentials to put on your resume.
You believe all of that makes you different. When you start a blog or write a press release or hang up your shingle as a freelance writer, you believe things will be easier for you than all of the other bumbling writers out there. Unlike them, youknow what you’re doing.
Heh.
It never ceases to astonish me how many writers believe this. They honestly think being able to spell, write a grammatical sentence, and make a few aunties and uncles smile is enough to make them a good writer.
It isn’t. The difference between writing for free and writing to become recognized as a worldwide authority is like the difference between taking a jog after work and running an Olympic marathon. Like running events, each type of writing is also quite different, and even a legend might need years of training to switch.
The bottom line: if you want to make a career out of writing, you have to be serious about it.
You’ll need to commit years of your life to mastering it, and even then, you’ll have barely caught a glimpse of everything there is to know.
Also, if you’re not willing to make that commitment, that’s fine. Just hire someone who is. It’s far faster and much, much less painful.
Crippling Belief #4: Writing can only be a labor of love
It’s about the art. It’s about the fans. It’s about the ideas themselves.
If you start trying to squeeze money out of it, you’ll just pervert it, commercialize it, transform it into a cold and hollow substitution for what it could have been. Right?
Well, yes and no. Once again, this one is dangerous precisely because it’s partly true.
Yes, all the best writers love what they do. The thing that separates Stephen King from a lot of other horror writers isn’t the gore or the suspense or the characters. It’s the joy. When he’s chopping off heads or destroying the world, he doesn’t just tell you about it. He revels in it.
Also, Stephen King is far from broke. I think he made something like $50 million last year.
Granted, we can’t all be Stephen King, but one of the greatest fallacies in writing is that art and money are mutually exclusive. If you love something, you can’t make money from it, or if you want to make money, you can’t love the work.
That’s just silly. You can have both. In fact, I would even say you need both, or you’ll never have the staying power to become truly great at what you do.
Crippling Belief #5: You’re a writer (nothing more)
Many writers take enormous pride in what they do, and rightfully so.
We use nothing more than little splotches of ink to communicate with people across the globe.
We speak the unspeakable. We snatch ephemeral ideas from the air and bring them to life on the page.
It’s delightful. Amazing. Humbling.
But if you think it’s your only responsibility, you are horribly mistaken.
The best way I know to explain it is, imagine a mother carrying a child for nine months, religiously taking care of her body, doing everything a good mother does, and then the day she delivers it, she leaves the hospital and sets it on the side of the road. “Goodbye, sweet thing,” she says. “It was a pleasure, but now I have other things to do,” and then she walks away.
It’s a horrifying thought, right?
Yet, as writers, it’s something we do every day. We finish working on a piece, publish it, and then prop our feet up, praising ourselves for a job well done. “Finally, I’m finished,” we think. “On to the next project.” And then we watch from afar as it struggles to gain attention, weakens, and finally dies.
It’s a morbid metaphor, I know, but this point is absolutely essential for you to understand:
If you want to be successful, you can’t be a writer and nothing more.
You also have to be a constant caretaker, a shameless promoter, a fearless champion. You have to fight for your ideas the way a mother fights for her children.
Your job isn’t over the day you publish. On the contrary, it’s just beginning. More than likely, you’ll spend weeks, months, and years fighting to get your words the attention they deserve, and it’ll be the most tiring, nerve-racking, and yet unquestionably rewarding experience of your life.
Don’t neglect that responsibility. Don’t try to outsource it to someone else. Don’t rob yourself of the experience.
The truth is, the joy of writing isn’t the writing itself. It’s seeing your ideas spread. It’s seeing them touch other people. It’s seeing them take root within the minds of those people, where they continue to grow into something more wonderful than you could have ever imagined.
Do you want that?
If you do, then be more than just a writer. The world already has enough of those.
What we need are more warriors. What we need are more heretics. What we need are wordsmiths with the courage to change the world.
Words aren’t just words, you see. They’re the medium through which writers accomplish change.
Great writers don’t just inform you. They don’t just entertain you. They don’t justpersuade you. They change you, leaving you a slightly different person than you were before you read their work.
If you ask me, change should be the standard we hold ourselves to, not merely scribbling words down upon the page.
Then again, what do I know?
I’m just a writer. Nothing more.”
For more excellent posts from Jonathan Morrow, click HERE.
[found on http://www.copyblogger.com/crippling-writing-beliefs]
Secret & Silent—Inspiration
“In fiction, I exercise my nosiness. I am as curious as my cats, and indeed that has led to trouble often enough and used up several of my nine lives. I am an avid listener. I am fascinated by other people’s lives, the choices they make and how that works out through time, what they have done and left undone, what they tell me and what they keep secret and silent, what they lie about and what they confess, what they are proud of and what shames them, what they hope for and what they fear. The source of my fiction is the desire to understand people and their choices through time.”
― Marge Piercy, Braided Lives
100 Delectable Adjectives
[found on dailywritingtips.com]
“Adjectives — descriptive words that modify nouns — often come under fire for their cluttering quality, but often it’s quality, not quantity, that is the issue. Plenty of tired adjectives are available to spoil a good sentence, but when you find just the right word for the job, enrichment ensues. Practice precision when you select words. Here’s a list of adjectives:
Adamant: unyielding; a very hard substance
Adroit: clever, resourceful
Amatory: sexual
Animistic: quality of recurrence or reversion to earlier form
Antic: clownish, frolicsome
Arcadian: serene
Baleful: deadly, foreboding
Bellicose: quarrelsome (its synonym belligerent can also be a noun)
Bilious: unpleasant, peevish
Boorish: crude, insensitive
Calamitous: disastrous
Caustic: corrosive, sarcastic; a corrosive substance
Cerulean: sky blue
Comely: attractive
Concomitant: accompanying
Contumacious: rebellious
Corpulent: obese
Crapulous: immoderate in appetite
Defamatory: maliciously misrepresenting
Didactic: conveying information or moral instruction
Dilatory: causing delay, tardy
Dowdy: shabby, old-fashioned; an unkempt woman
Efficacious: producing a desired effect
Effulgent: brilliantly radiant
Egregious: conspicuous, flagrant
Endemic: prevalent, native, peculiar to an area
Equanimous: even, balanced
Execrable: wretched, detestable
Fastidious: meticulous, overly delicate
Feckless: weak, irresponsible
Fecund: prolific, inventive
Friable: brittle
Fulsome: abundant, overdone, effusive
Garrulous: wordy, talkative
Guileless: naive
Gustatory: having to do with taste or eating
Heuristic: learning through trial-and-error or problem solving
Histrionic: affected, theatrical
Hubristic: proud, excessively self-confident
Incendiary: inflammatory, spontaneously combustible, hot
Insidious: subtle, seductive, treacherous
Insolent: impudent, contemptuous
Intransigent: uncompromising
Inveterate: habitual, persistent
Invidious: resentful, envious, obnoxious
Irksome: annoying
Jejune: dull, puerile
Jocular: jesting, playful
Judicious: discreet
Lachrymose: tearful
Limpid: simple, transparent, serene
Loquacious: talkative
Luminous: clear, shining
Mannered: artificial, stilted
Mendacious: deceptive
Meretricious: whorish, superficially appealing, pretentious
Minatory: menacing
Mordant: biting, incisive, pungent
Munificent: lavish, generous
Nefarious: wicked
Noxious: harmful, corrupting
Obtuse: blunt, stupid
Parsimonious: frugal, restrained
Pendulous: suspended, indecisive
Pernicious: injurious, deadly
Pervasive: widespread
Petulant: rude, ill humored
Platitudinous: resembling or full of dull or banal comments
Precipitate: steep, speedy
Propitious: auspicious, advantageous, benevolent
Puckish: impish
Querulous: cranky, whining
Quiescent: inactive, untroublesome
Rebarbative: irritating, repellent
Recalcitant: resistant, obstinate
Redolent: aromatic, evocative
Rhadamanthine: harshly strict
Risible: laughable
Ruminative: contemplative
Sagacious: wise, discerning
Salubrious: healthful
Sartorial: relating to attire, especially tailored fashions
Sclerotic: hardening
Serpentine: snake-like, winding, tempting or wily
Spasmodic: having to do with or resembling a spasm, excitable, intermittent
Strident: harsh, discordant; obtrusively loud
Taciturn: closemouthed, reticent
Tenacious: persistent, cohesive,
Tremulous: nervous, trembling, timid, sensitive
Trenchant: sharp, penetrating, distinct
Turbulent: restless, tempestuous
Turgid: swollen, pompous
Ubiquitous: pervasive, widespread
Uxorious: inordinately affectionate or compliant with a wife
Verdant: green, unripe
Voluble: glib, given to speaking
Voracious: ravenous, insatiable
Wheedling: flattering
Withering: devastating
Zealous: eager, devoted”
For more great tips on writing from Daily Writing Tips, click HERE.
[found on http://www.dailywritingtips.com/100-exquisite-adjectives]
Too Weak To Write? Take Two Adverbs, and Don’t Call Me In The Morning
[found on darcknyt.deviantart.com]
“The real question to ask isn’t whether Mrs. Swingingjowls was right or wrong in teaching you to modify your sentences with adverbs. The question is, why are you modifying your verbs with adverbs?
This is an easy one to answer, when you think about it:
Because your verbs are weak.
Mark Twain once said, “Adverbs are the tool of the lazy writer.” Amen, Mark.
See, what’s going on is, you’re using a word that doesn’t really convey the sense, the feeling, the mood or whatever, you’re hoping to get across to your reader. “Walk” isn’t a very exciting word, and it doesn’t get across the antsy feeling you’re trying to portray in your description, so you make it “walk quickly” or “quickly walked”. You want your reader to see the force, the power in your characters’ argument, so instead of saying “they shouted across the table” you say “they shouted angrily and vehemently across the table.”
The problem is, the verbs you’ve chosen aren’t doing the job you wanted them to do in the first place. You don’t want your character to walk, you want your character to hasten, hurry, quick-step. You don’t want your characters shouting, you want them spitting words through clenched teeth, veins throbbing on reddened necks, molars locked and spittle misting between them.
The reason you’re reaching for adverbs to tell the story is because the verbs you’ve chosen are too weak to do it for you. The adverb isn’t the solution, however. Strengthening your writing is.
Think about this: If the verbs you’re using to describe the action in your story are weak and flimsy, the action description may be weak and flimsy too.
You wouldn’t be writing something with the intent of being flimsy or weak, would you? The reason you’re grabbing adverbs in the first place is because of discontent with what’s being said without them, right?
Why bother with modifiers for words that aren’t cutting it in the first place? The real crux of the problem is finding the right actions and descriptions for those actions, so that modifiers — adverbs AND adjectives — will be needed with rare and prudent infrequency.
When you’re writing adult fiction, the need to limit — if not eliminate — adverbs altogether becomes pretty obvious. What adult wants to read a grade school type of book?
No, adults want to be pulled into the story, and be engaged by it. The use of adverbs won’t get the job done, and loses the reader early on.
Show, Don’t Tell — Adverbs are NOT Good Description
With the evil adverb dragging your writing down, it’s now safe to say that using adverbs isn’t a way to make a lousy description good. It’s a lazy way to make a weak description obvious.
What adverbs do, in a nutshell, is tell the reader what’s going on in the story. That’s NOT what you want to do.
“But — I thought I was TELLING a story here?”
No. You’re not. If you’re a serious writer, you’re not “telling” a story, you’re SHOWING a story.
Don’t be lazy. Be specific. Use specific nouns and verbs to do the bulk of the work in your writing. By letting good, descriptive words do the heavy lifting, the occasional adjective and adverb aren’t the problematic, amateur-flagging beacons common in weak writing.”
For more great tips from DarcKnyt, click HERE.
[found on http://darcknyt.deviantart.com/journal/The-Use-of-Adverbs-in-Fiction-Writing-214175181]
Write Bigger Than Yourself
“If we can write or sing or create in some way, even when we are dealing with difficulties or pain, then it becomes something bigger than ourselves — and often beautiful.”
― Brenda Peterson
Make Your Readers Cry
[found on goinswriter.com by Jeff Goins]
“Shattering the frozen sea
Frank Kafka once said, ”A book must be the ax for the frozen sea within us.”
Be honest. You dream about your writing having that affect on someone, don’t you? Because words have had that affect on you.
The frozen sea inside of you has been shattered by stories, truths, ideas, and turns of phrase so astounding that you had no words to respond or even tell someone what it meant to you. Isn’t that why you want to write?
So, how do you write words that will move people, and potentially even play a part in breaking the frozen sea inside of them? It’s actually quite simple:
You write what moves you.
Except that part is not always easy. Because in order to write what moves you, you will have to visit your pain. Your fear. Your weaknesses. Your nightmares and demons. The skeletons in your closet and the horrific possibility of self-disclosure, even if veiled in stories and themes.
Because, as you well know, that’s where the frozen sea inside of you is. If you are ever going to crack the ice of another person’s soul, you have to be brave enough to go first. To be a witness. A testimony. An example.
You have to go first
If you love your reader, you will go first. You have to lead them on this journey. To show them how and why it’s important.
There is enough fluffy, meaningless drivel on paper to fill the Marianas Trench. So don’t add to it. Write something that matters. And write it with conviction:
- Write about the truths and ideas that are so astonishing you can hardly believe them.
- Write the story that keeps you awake, tossing and turning at night because it echoes the ache in your soul.
- Write that memoir, and include the parts that you are terrified of putting on paper, because it will remind you that they are real. (Some may no doubt need the support of a friend, therapist, or pastor for this.)
Whatever it is, write about those things that punch you in the throat and stir your insides.
Because if it moves you — if it raises a lump in your throat as you type, it will move someone else.
It might just give them the hope that you’ve been given by other writers, with their words and stories that have inspired and reminded you that you are not alone. Aren’t you glad they went first?
As I was writing my first novel, there were many times where tissues had to guard my keyboard from falling tears. The story I was writing moved me and, thankfully, it has gone on to move others.
Such is the inexplicable magic of words, and I am in awe of the weight they can carry.
This is not just for the reader
Oh, and one more thing: Don’t believe that going first is only a gift to your reader.
It is first a gift for you — and a very meaningful one at that.
We all need to go to our frozen sea, because seas were not meant to be frozen. They are meant to thrash about with life.
So, what are you waiting for? Go find your ax. And get to work.“
For more great insights from Jef Goins, Click HERE.
