[found on lifehacker.com.au; by CHRIS JAGER]
“Choose your point-of-view characters to broaden the narrative’s scope
My story is essentially about a world at war. It begins very small with everybody apart from Daenerys in the castle of Winterfell. It’s a very tight focus, and then as the characters split apart, each character encounters more people and additional POVs come into focus.
It’s like if you were trying to do World War 2 as a novel: do you just take one average GI? Well that would only cover the European theatre, not the Pacific. Do you make Hitler a point-of-view character to show the other side? What about the Japanese or Italy? Roosevelt, Mussolini, Eisenhower — all these characters have a unique viewpoint that presents something huge in Word War 2.
So you either need an omnificent viewpoint structure where you’re telling it from the point of view of God, which is a pretty outdated literary technique, or you have a mosaic of people who are seeing one small part of the story and through that you get the entire picture. That’s the path I chose to take.
It’s okay to “borrow” from history
Although my story is fantasy, it is strongly grounded in actual Medieval history. The War of the Roses was one of the major influences, which had the Yorks and the Lancasters instead of the Starks and the Lannisters. But I like to mix and match and move things around. As the famous saying goes; stealing from one source is plagiarism but stealing from lots of sources is research!”
For more tips from Chris Jager on writing, click here.