Don’t Fear Your Editor

[by Billi Joy Carson, Senior Editor/ Editing Addict]

 

Often, editors are presumed to do this to writers:

 

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Editors are members of your team—like coaches—wanting YOU (the author) to succeed. They are paid to find mistakes, errors, and faults, in order to make you a stronger and more successful author. They are not paid to pat you on the back, tell you how amazing you are, and do a little flattering dance to your glory—that is part of the marketing team’s job [haha!]. Your editor is not your friend—they aren’t there to encourage you by cheering your good points. They are there to point out the ugly and sloppy aspects that need help, that need polishing and fixing.

Don’t fear your editor. The editors are here for the authors. They aren’t going to highlight your face green (as the comic above suggests), but they are going to help you see the errors and weaknesses in your writing. Then (hopefully), you learn and grow, and become a stronger writer—which leads to an amazing author. A good editor can be a great teacher; make sure you treat their insights and time as valuable, because it is priceless.

Your editor will pick apart your work, but it doesn’t mean you are a bad author. It means your editor wants you to be better. Coach Lou Holtz, the winningest (yes, that is a word) college football coach, is known for tearing into his BEST players. He would pick them apart mercilessly. Why? Because he saw untapped potential. He wanted his players to improve beyond where they were. Even when they were good, he knew they could be great. A great football player is remembered, and people come to see them. A good football player is cheered for the one game, but no one comes back. Your editor wants your readers to come back.

Always pay your editor for their work. A great editor slowly reads through your book, flushing out the mistakes, making notes for the author, fixing the punctuation and grammar, checking with the author on flow and logic issues, researching quotes for accuracy, making sure your book aligns with the standard for publishing (per the Style Guides)….

How much your editor will do for your book, is dependent on which level of editing you have paid them for—just like taking care of your vehicle. If you take your car to a car wash, but you really wanted them to replace your muffler, you are going to be surprised. More than likely, they will leave a note on your receipt that you have a muffler dragging behind your car—but they will not have done anything for it, except wash and polish it. Know what you need (which editing package) and then be willing to pay for what you need. It will be worth it.

 

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If you need a quote on your editing project, contact our senior editor, Billi Joy Carson.

[by Billi Joy Carson, Senior Editor / Editing Addict; artwork by Keely Mitchell]

 

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Questions for our editor, Billi Joy Carson, to answer next time:

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Punctuate That Title

[found on thepunctuationguide.com]

“Titles of works

The titles of certain works are indicated with quotation marks, others with italics, and yet others with regular type.

The style presented here is consistent with The Chicago Manual of Style (16th ed.) and the MLA Handbook for Writers of Research Papers (7th ed.), and is appropriate for most academic and professional writing. Newspapers tend to favor quotation marks in place of italics for most titles.”

Click image:

1)   To see entire list

2)   To read more important tools from

thepunctuationguide.com

 

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[found on http://www.thepunctuationguide.com/titles-of-works.html]

 

Promote & Market Your Book

[found on jdscottnovels.wordpress.com; by J.D. Scott]

 

“How to make the most of social media marketing, where do you start? You need detailed, accessible and practical advice on what to do and how to do it. Planning and research are often forgotten in the rush of getting a book published. Drawing up a marketing plan and carefully thought out campaign are the only ways to ensure the success of your book and to meet the readers’ requirements. Initiate these concepts and you will see the benefits immediately!”

 

how-to-promote-and-market-your-book-cover

 

“Who is it For?

Any author who wants to create and launch a successful book, or people who chose publishing as a career.

What Will it Help You Do?

This guide walks you through the development of author’s brand and improving sales.

What is Included?

…valuable resources lists, such as book bloggers, publishers, literary agents, newspapers and magazines, independent booksellers, Facebook groups, sites to promote a book, and radio shows for authors.”

How Can You Buy This Book?

Barnes & Noble
Kobobooks.com

 

[found on http://jdscottnovels.wordpress.com/the-writer/featured-article-tips-from-a-publisher-with-the-heart-of-a-writer/]

 

Find the Word, and Magic…!

[found on tameri.com]

“We believe the greater the vocabulary, the more concise the writing. Unfortunately, readers might not understand what you write. The definitions for some words listed are not the “common” meanings; we have chosen to focus on the words and meanings used to impress audiences.

Serious readers enjoy new words and writers love using the rare greats. Reading teaches vocabulary as we study context at all levels: elemental grammar, plot, setting, and more. Readers thrill at the discovery of new words; writers should thrill at using them wisely. There is more to words than winning at Scrabble™.”

Example of what you’ll find on their site:

abrogate (v) – void, do away with, repeal

abscond (v) – to depart secretly

abstemious (adj) – moderate in consumption

brook (v) – to endure, tolerate

bucolic (adj) – rustic, pastoral, natural; simple

celerity (n) – speed, rapidity

censure (v) – to rebuke officially

chary (adj) – wary, cautious

diffuse (adj) – spread out, wide-ranging; using too many words

dilate (v) – expand

dilatory (adj) – delaying

enervate (v) – to weaken, to drain, to take vitality from

engender (v) – to create, to produce, to cause

feign (v) – to pretend, act, deceive

fervent (adj) – emotional; zealous

fester (v) – ulcerate; rankle. festering (v)

garner (v) – gather, store up

garrulity (n) – talkativeness

impervious (adj) – resistant, strong, incapable of being affected

impalpable (adj) – imperceptible, intangible

jejune (adj) – poor; unsatisfying

jetsam (n) – object tossed overboard to lighten a ship

kinematic (adj) – relating to motion

knavery (n) – untrustworthiness; lack of principles

libidinous (adj) – lustful

licentious (adj) – sexually immoral

mellifluous (adj) – sweet like/as honey

mendacious (adj) – dishonest. mendacity (n)

nebulous (adj) – vague, cloudy, murky; lacking form

neologism (n) – a new word or usage

neophyte (n) – convert; beginner, novice

obfuscate (v) – to make confusing; to mislead

objurgate (v) – to scold

paucity (n) – scarcity; lack

pedagogue (n) – narrow-minded teacher

quaff (v) – to drink; to quench thirst

qualm (n) – misgiving, reservation

refutation (n) – disproof of opponents arguments

reciprocal (adj) – mutual, shared, exchanged in kind

sanction (n/v) – permission, authorized; a penalty

sanguine (adj) – cheerful; hopeful

sapient (adj) – wise; shrewd

taciturn (adj) – silent; not fond of talking

tantamount (adj) – equivalent in effect or value

taut (adj) – tight, tense

ubiquitous (adj) – everywhere, widespread

ulterior (adj) – unstated; hidden

venerate (v) – to respect. veneration (n)

veracity (n) – truthfulness, honesty

wangle (v) – bring about by manipulation

welter (n/v) – turmoil; to roll, to tumble

xenophobe (n) – one afraid of strangers

xyloid (adj) – like wood

yammer (v) – to talk with a sad tone

zymotic (adj) – of fermentation; caused by disease”

 

[found on http://www.tameri.com/write/coolenglish.html]

Writers Find Accountability

[found on writersdigest.com; by  Chuck Sambuchino]

“Looking for an accountability partner? A few tips:

1. Go where other writers go. Join a professional writing organization such as SCBWI. Attend retreats and conferences. Browse book festivals. Hang out at bookstores.

2. Think beyond locally. (Donna and I live twelve hours away from each other in different states.) So, strike up conversations on social media. Join online writing groups. Comment on writing blogs….

3. Don’t get hung up on writing genre. Writers are writers. (Apologies to Donna’s husband, but even porn writers are writers.) It doesn’t matter if you write romance novels and your potential accountability partner writes rhymed picture books. What matters is how each of you approach your work, the time each of you is willing to put into your writing, your openness toward learning, and your willingness to accept criticism.

4. Put the word out that you’re looking for a writing buddy, and like everything else in this business, keep plugging away until you find one.”

For more tips on writing from , click HERE.

[found on http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/ready-how-a-critique-and-accountability-partner-can-help-your-writing-and-career]

Be Passive The Writing Must Not

[found on bookcoaching.com; by Judy Cullins]

“Stop passive sentence construction.

When you write in passive voice, your writing slides along into long sentences that slow your readers down, even bore them.

Before you put your final stamp of approval on your writing, circle all the “is,” “was” and other passive verbs like: begin, start to, seems, appears, have, and could. Use your grammar check to count your passives. Aim for 2-4% only.

Instead of, ”Make sure that your name is included on all your household accounts and investments.” Passive culprits include “Make” and “is included.” Create more clarity with this revision,” Include your name on all household accounts and investments to keep your own credit alive after your divorce.”

For more tips on writing from Judy Cullins, click here.

[found on http://bookcoaching.com/wp/non-fiction-book-writing-solutions]