“Beauty is the sole legitimate province of the poem.”
— Edgar Allan Poe
“Beauty is the sole legitimate province of the poem.”
— Edgar Allan Poe
Every time I teach Creative Writing: Poetry to college students, I spend some time going over how to submit poems for publication, and then I require them to send out two batches of submissions to literary journals at the end of the semester. I set them up for the reality of disappointment by talking about acceptance rates (often lower than 1% of submissions to journals) and by showing them my own Excel spreadsheet record of acceptances and rejections. I’ve actually had a handful of students get poems accepted on their first try with submitting, and my own acceptance rate has improved greatly over time, so we must be doing something right.
Here’s the quick and dirty version of my publication lesson, which is based on tips my poetry professors gave me, on my own experience of submitting poetry for several years now, and on my previous experience of editing literary journals. Of course, the first step is actually writing and revising some brilliant poems, but being brilliant isn’t enough to get poems published.
Check out the literary magazine databases on Poets & Writers and New Pages. Look over calls for submissions on CRWROPPS. Stalk (metaphorically, of course) the poets who seem to be your kindred spirits by looking at the acknowledgments pages of their books and submitting to the same journals that published them. Most importantly, be a good literary citizen and support the publications you most enjoy: purchase a print subscription, follow online issues, and invest yourself. You can’t do this with every journal you ever send a submission to (or at least I don’t have the time and money for that), but being an active reader of a handful of publications will likely make you a more savvy submitter of your work. When you have a better sense of which publications might prefer which poems, then you’ll be more likely to have work accepted.
Also, connect with real, live poets and editors as much as possible at local readings or national conferences or wherever else you can find them, even on Facebook and Twitter. The more you network with other people in this community for the sheer joy of having their company and experiencing their art, the more you’ll hear about publication opportunities and find readers and publishers for your own work.
You MUST follow the guidelines for each specific journal when you submit your poetry. Each publication’s website will likely have a tab for Submissions (sometimes housed under About or Contact Us). If they say to send 3-5 poems, don’t send just 1. If they say not to put your name on your poems, then don’t do it. If they want you to paste your submission into the body of an email, don’t send an attachment. Nothing will get your work tossed aside more quickly than ignoring simple directions.
If you’re submitting in hard copy, then your cover letter should be in business letter format. If you’re submitting by email, then you can be a little more casual with the formatting, but you still want to be somewhat professional. If you’re submitting via an online system, then you might only have a tiny box for a cover letter, so keep it simple.
If you want to show your familiarity with a journal, it is appropriate to address your submission to the poetry editor by name. If this information is not available to you, then it’s okay to stick with “Dear Editor.”
Keep the letter brief! You might tell them what you enjoy about their journal, but don’t go overboard. A simple “I’m submitting three poems for your consideration” with a “thanks for your time” is often best.
Many journals want you to send a brief (2-3 sentence) third-person bio; this is customary in a cover letter unless otherwise specified in the guidelines. There are different ways to approach this: some poets are strictly business (notable publications, current job, location), and some mix in more casual and fun details (hobbies, family info). If you’re able, see what the journal’s bio notes usually look like and match them. If you’re not able to do that, then do what makes you happy. Just be sure that your bio isn’t more interesting than your poems…
One final thought: I was told as a student not to say that I was a student in my cover letter, and I caution my students about this as well. Even editors who think that they love undergraduates might be inclined against a set of poems if they assume that the writer is especially inexperienced. Your bio should be honest, of course, but it can’t possibly include everything about you, so be strategic with what you reveal.
Find a system that works for you. As I already mentioned, I keep an Excel spreadsheet with columns for the journal title, the poem titles, the date of submission, the date of response, whether or not it was published, and any fees or payment. I also like to note how I submitted—online system, email, or hard copy. I had a professor who kept records on notecards in recipe boxes. Do whatever makes you feel organized and happy.
Keeping track of submissions is important. If you’re submitting in earnest, then you can’t possibly remember when, where, and what you sent. Keeping some kind of log will ensure that you don’t send the same poems to a journal that already passed on them. It will also ensure that you don’t submit another batch of poems to a journal that is already considering a submission from you…that’s a sure way to annoy editors!
This brings us to the topic of simultaneous submissions. Most literary journal editors are now comfortable with the reality that poets will send the same poems to a few different journals at a time, meaning that most journals will accept simultaneous submissions. (Note: Some publications still say in their guidelines that they won’t consider simultaneous submissions. You will have to decide if those publications are worth your time.) The deal here though is that if a poem is accepted for publication in one journal while it’s under consideration at other journals, then it’s the poet’s job to be a good poetry citizen and withdraw the poem from consideration with those other journals. This might be done via email or within an online system; again, follow the directions in each journal’s submission guidelines for best results.
If you’re not one of those rare, lucky poets who have poems accepted on the first try, don’t worry. Most of us took a long time to get a first poem published, and sometimes even well-published poets have dry spells. Submitting poetry can be discouraging, but keep doing it. To pass along advice that was given to me, this is a numbers game. The more you send out, the more likely you’ll get something published. When I was first trying to get poems published in literary journals, I would try to keep around 40 submissions out at a time (usually sending a batch of 3-4 poems to 3-4 journals at a time). Your poems have to find the right editor in the right mood, so give them the best shot possible.
Dr. Katie Manning is the author of three poetry chapbooks, including The Gospel of the Bleeding Woman (Point Loma Press, 2013), and she is an Assistant Professor of English at Azusa Pacific University. Find her online at www.katiemanningpoet.com.
If you are an author, a blogger, or a copywriter…then correct spelling, punctuation, word use, and grammar is a necessity in all areas of your writing…books, blogs, marketing, advertisements, social media, queries, submissions, letters, and emails.
I can hear the horrified gasps, feel the eyes rolling—doubt and fear from writers everywhere. Panic in the streets.
Before you throw your hands up, and stop reading, let’s look at the WHY behind this necessity.
Your books come and go, but you, the author, remain constant. You are the first line of defense when it comes to marketing yourself—which you are doing every day, every time you write…anything.
You are marketing not only to readers, but to publishers, agents, editors, and your fellow authors who would network with you. You are marketing your writing ability—yes—but you are ALSO marketing your organization capabilities, your attention to details, your desire for accuracy….
What if you don’t care about details and accuracy? Publishers do.
Publishers, editors, and agents notice. In this world of instant access, through social media and blogs, your everyday comments and posts are seen.
Agents, editors, and publishers (oh my!) have deadlines. Organization is a big part of that. Make it appear you are organized—even if you have to fake it.
Here are some excellent tools to keep close to you, always. I suggest bookmarking them, as well as storing them on your smart phones and tablets—wherever you write, post, and email.
“Poets in the modern world do not enjoy the elevated social status they did a century or two ago.
Wordsworth, Byron, Keats and Shelley were the rock stars of their time. Their poetic skills earned them adulation, celebrity and even the occasional touch of wealth.
These days, poems and poetry are sadly relegated to sparsely attended coffeehouse readings or the obscure pages of small literary magazines.
On the other side of the proverbial coin, there are wonderful opportunities in today’s music industry for talented poets – at least those who successfully adapt their writing style to song lyric writing.
Songs are the popular lyrical medium of our time. That’s where status and the bigmoney is for today’s poets.
There are many examples of poets who have turned their personal poetry into successful song lyrics.
Most everyone’s heard of lyricist Bernie Taupin, Elton John’s famous co-writer. One of these talented fellows without the other may have labored in the shadows of obscurity.
Yet, by combining their specialized talents, they were able to write hundreds of great songs, and extrmely [sic] popular songs. In the process, they become millionaires!
The lesson is clear: ambitious 21st Century poets who wish to connect with the popular culture and mass audiences will want to learn how to write lyrics.
Which leads to this question: Can poets successfully turn their talents to writing song lyrics?
Answer: For talented poets willing to adapt their writing styles to the craft of lyric writing, the answer is definitely yes!”
“Beginning to write poetry is about beginning to think about moments, stories, memories as their complete selves and then finding the right way to make those things lean, to amp up the right words to convey the tension, ambiguity and softness.
It’s a task a bit like painting a horse on a grain of rice….all the right things in the right place but the space is smaller and so the subject, all the more significant in its purest form, becomes the whole thing, the little nugget of art- the whole picture.”
For more great tips on poetry from Maggie Smith Hurt, click here.
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