Audiobooks, Your Friend

[found on thecreativepenn.com; by  JOANNA PENN]

“Your book is not just a physical book or an ebook. There are plenty of other subsidiary rights that you can exploit and audiobooks are high on the list because of the rise in popularity of listening during commutes or workouts, and the increased penetration of smartphones. In today’s interview, we explore how you can get into this market.”

To read the info from Joanna Penn on creating your own audiobook, and listen to the podcast, click HERE.

[found on http://www.thecreativepenn.com/2013/03/06/audiobook]

Write A Personal Bio

[found on blog.brandyourself.com; by ]

“1. Make three versions: short, medium and long. 

Most of the time, someone else will dictate the length of your bio. They will likely tell you how many words you can use to ensure that yours is the same length as other bios. Because of this, one bio will not do. You need three bios:

    • One sentence bio
    • 100 word bio
    • 250 word bio

Each bio has its place. You will save you time and energy when the time comes time to post it, and establish consistency between every professional bio about you that is published.

2. Introduce yourself as if you’re meeting a stranger.

Lead in with your name. People need to know who you are before they hear what you’re all about.

3. Immediately state what you do.

If you are “Portrait Photographer,” don’t wait until the last moment to say it. Your most important details should go in the first sentence. Remember: people on the web rarely read more than the first and last sentence.

4. Touch upon your most important accomplishments.

Don’t list them, and make sure they fit. A bio is not a resume; it is simply a quick summary of who you are. If you have space, mention them. If not, ignore them.”

To see the rest of the ideas on writing a personal bio, click here.

[found on http://blog.brandyourself.com/how-tos/8-tips-on-how-to-write-a-personal-biography]

Jealous, Your Writing Is

“Authors always carry a means for scribbling and an excuse for pausing, often inopportunely, to record those fleeting sparks of creative fancy that might otherwise vanish like a wisp in the wind if ignored.  Writing is a jealous and needy lover.” 

― Richelle E. Goodrich

Game of Thrones Writing Tips

[found on lifehacker.com.au; by ]

“Choose your point-of-view characters to broaden the narrative’s scope

My story is essentially about a world at war. It begins very small with everybody apart from Daenerys in the castle of Winterfell. It’s a very tight focus, and then as the characters split apart, each character encounters more people and additional POVs come into focus.

It’s like if you were trying to do World War 2 as a novel: do you just take one average GI? Well that would only cover the European theatre, not the Pacific. Do you make Hitler a point-of-view character to show the other side? What about the Japanese or Italy? Roosevelt, Mussolini, Eisenhower — all these characters have a unique viewpoint that presents something huge in Word War 2.

So you either need an omnificent viewpoint structure where you’re telling it from the point of view of God, which is a pretty outdated literary technique, or you have a mosaic of people who are seeing one small part of the story and through that you get the entire picture. That’s the path I chose to take.

It’s okay to “borrow” from history

Although my story is fantasy, it is strongly grounded in actual Medieval history. The War of the Roses was one of the major influences, which had the Yorks and the Lancasters instead of the Starks and the Lannisters. But I like to mix and match and move things around. As the famous saying goes; stealing from one source is plagiarism but stealing from lots of sources is research!”

For more tips from Chris Jager on writing, click here.

[found on http://www.lifehacker.com.au/2013/11/ten-tips-on-writing-a-fantasy-saga-from-game-of-thrones-author-george-r-r-martin]

Children’s Book, Here You Come

[found on wvculture.org; by Mary Rodd Furbee]

“Consider why you want to write children’s books.
If you want to write books for children, it helps to be a little crazy. I developed a passion to write nonfiction biographies for middle-school children about four years ago. My daughter’s experiences made me realize that there were hardly any children’s books on America’s founding mothers. It hit me, hard: This was what I had to write. There was a need. The subject was fascinating. I knew I could do it, and found the prospect exciting. If you have a similar passion, perfect. If not, perhaps you are meant to do something else. It’s hard to write books, harder still to write books for children. It’s difficult to get published, and you’ll face a lot of rejection.

Don’t expect to make big money or make it quickly.
Writing books for children is like starting a business. You must invest both time and money. I hoped to make money writing my first books, but I didn’t. Four years and six published books later, I still haven’t made as much money as I could have in most professional writing or editing positions. It’s the rare children’s book that hits the bestseller list or wins a Newbery Award, and the rare full-time children’s writer who makes a living.

Read children’s books.
When I decided to write biographies of women in American history, I read biographies, histories, books about writing biographies, and lots of middle-grade fiction and nonfiction. It’s amazing what you can learn by reading the books you want to write – be they board books for infants and toddlers, picture books, early readers, middle-grade novels or young adult nonfiction. Read the best authors – over and over. If you can, take a class in children’s literature or writing for children.”

For more tips on writing children’s books from Mary Rodd Furbee, click here.

[found on http://www.wvculture.org/arts/Artworks/Fall01/childrens.html]