Identity Creation

[found on writetodone.com; by Mary Jaksch of GoodlifeZen]

“Forge your identity. Say, “I am a writer!” Maybe you feel reluctant to say it because you think you’re not good enough? Well, forget about ‘good enough’! A writer writes. Do you write? If yes, then you are a writer. Plaster your home with notices that say, “I am a writer!” Tell people about it. When you next fill in a form, put ‘writer’ as your profession. Thinking of yourself as a writer will boost your confidence and unlock your creativity.”

For more tips from Mary Jaksch, click here.

[found on http://writetodone.com/zen-power-writing-15-tips-on-how-to-generate-ideas-and-write-with-ease]

Fiction Writing Tips

[found on writingforward.com; by Melissa Donovan]

“The writing tips below focus on the technical and creative writing process rather than the business end of things….

    1. Read more fiction than you write.
    2. Don’t lock yourself into one genre (in reading or writing). Even if you have a favorite genre, step outside of it occasionally so you don’t get too weighed down by trying to fit your work into a particular category.
    3. Dissect and analyze stories you love from books, movies, and television to find out what works in storytelling and what doesn’t.
    4. Remember the credence of all writers: butt in chair, hands on keyboard.
    5. Don’t write for the market. Tell the story that’s in your heart.
    6. You can make an outline before, during, or after you finish your rough draft. An outline is not necessary, nor is it written in stone, but it can provide you with a roadmap, and that is a mighty powerful tool to have at your disposal.
    7. You don’t always need an outline. Give discovery writing a try.
    8. Some of the best fiction comes from real life. Jot down stories that interest you whether you hear them from a friend or read them in a news article.
    9. Real life is also a great source of inspiration for characters. Look around at your friends, family, and coworkers. Magnify the strongest aspects of their personalities and you’re on your way to crafting a cast of believable characters.
    10. Make your characters real through details. A girl who bites her nails or a guy with a limp will be far more memorable than characters who are presented with lengthy head-to-toe physical descriptions.”

For more tips from Melissa Donovan, click here.

[found on http://www.writingforward.com/writing-tips/42-fiction-writing-tips-for-novelists]

Write With Passion

[found on fuelyourwriting.com; by Kim Phillips]

“Passion in writing becomes even more important in print or online, where the reader can’t be influenced by your tone, eye contact, or body language.

Michael Stelzner, who writes for the online magazine Social Media Examiner, is flat-out crazy about social media.  It’s not just his business; he’s in love with it, and it shows.  Contrast the corporate blog of Michael Hyatt, CEO of Thomas Nelson Publishers, with that of Bill Marriott of the eponymous hotel chain and decide who loves his job more.

Some tips for writing with passion…

Write about something you understand. It’s not likely you’re going to have strong feelings about something you’re not familiar with.

Know who you’re writing for. This should always be the case, but it will be helpful if you know what you have in common with the reader.  If you’re a 55-year-old man writing for mommies about toys, you’re going to have to think about what experiences you share.

Don’t load up your writing with facts and stats. Unless you’re writing a blog for engineers, most people would rather know the meaning of the data and how it can help them.  If you’re writing about homelessness, describe one homeless family’s experience and leave out the chart.

Find your indignation. There’s nothing like a little righteous anger to get the juices flowing.

Tell a story. Relate not only what happened, but how you felt about it.  Be vulnerable:  people will consider it brave, and they will come with you.

Admit that you don’t have a clue. That happens so rarely that the reader will be intrigued.

Be yourself. You have a unique point of view and a voice that is not exactly like anyone else; that’s interesting.  Are you edgy?  Self-deprecating?  Thoughtful?  Irreverently funny?  The local curmudgeon?  Then be that.

If you want to engage people, get them on your side.  If you don’t care, why should they?”

For more tips on writing from FuelYourWriting, click here.

[found on http://www.fuelyourwriting.com/writers-embrace-your-passion]

Audience Builder 101

[found on writerunboxed.com; by Dan Blank]

“Far too many writers build an audience of the WRONG people. As a writer, you craft a work that is meaningful to you, and you wonder how you will connect it to the world. So you begin engaging with people online and off, telling them about your writing.

And guess what? Guess who is MOST interested in this journey you are on? Readers? Nope. Oftentimes, it is other writers.

So we do what feels validating and welcoming: we join amazing communities such as WriterUnboxed.com. We forge relationships, we grow our platforms with people who want you to succeed as a writer.

But therein lies the problem.

These good people – these other writers, yes they may buy your book. They may read it too. They MIGHT even review it on Amazon & Goodreads. And this is good.

But what I worry about is that when you focus only on engaging other writers, you are not learning how to engage readers. Without the shared interest in becoming a writer, without tapping into that sense of identity and goals, you are not developing that keen instinct of who would love your book and how to get them interested.

Now, obviously, there is ENORMOUS value in engaging with other writers, andespecially to do so on WriterUnboxed.com. (Can you tell I am trying to get back into the good graces of Kathleen & Therese?)

Just this week, a writer I am working with heard from two other successful authors who shared wonderful insight into what has worked for them in engaging with readers – what online platforms have worked for them, and the value of certain types of in-person events.

Let’s explore why it is super helpful to engage with other writers:

    • Writers are the best kind of people. (okay, that one was easy)
    • Help you improve the craft of writing.
    • Glean wisdom from their experiences.
    • Build a network of colleagues.
    • Validate your own identity as a writer.
    • Open doors to agents, publishers, media, and other good folks that can help you get published and in front of readers.
    • Motivation & inspiration.
    • Understand how the world of publishing is changing, and give you a roadmap to navigate it.
    • Set proper expectations.
    • Vent. (then vent some more)

The list goes on. I will leave “fashion tips” and “recipes” off of the list for the sake of space.

So what is bad about any of this? Nothing. The issue I see is that sometimes writers stop here. They feel a sense of community with writers, they experience all the benefits listed above, so they go no further.

They never develop the capability of understanding who their ideal readers are, how to engage them, or the habits to do so both online and off.

As you develop your platform as a writer, I see an extraordinary amount of value in working through the more difficult task of engaging your readers and those who have access to them, such as librarians, parents, teachers, booksellers, etc.

In other words: YES, engage with other writers. But don’t stop there.

Every single week, learn more about who your readers may be. Engage with them in tiny ways online. And off. Learn what it is about your writing that cuts to the heart of why your ideal audience readers. Discover what it is about one of your stories or books that jumped out at people.

How do you begin engaging with readers? Just a few ideas:

    • Read. Read books similar to yours, if possible. Engage as a fan would. Leave reviews online, recommend books, consider who else is doing the same.
    • Understand what other books are like yours, especially those published in the past 5 years. Where are they shelved in bookstores, how are they displayed, what comes up in “People who who bought this also bought…” in Amazon?
    • What is the language that other readers used again and again in reviews on Amazon, Goodreads, LibraryThing, and other sites?
    • Who are these readers – specifically? See their Goodreads profiles, understand what else they read.
    • Talk to readers. On social channels, follow them, comment on their updates, and learn about them. Engage as a fan of similar work, not an author trying to promote your own books.
    • Develop a group of beta readers.
    • Everywhere you go, ask the person standing next to you: “what do you like to read?” Then ask why.
    • Join book clubs, attend events at bookstores and libraries – do anything possible to chat with other readers about why they read. Study the expressions on their face, the cadence of their voice as they talk about reading.
    • Talk more about other people’s books than your own.
    • Create profiles of your ideal readers. Create lists of where you can find them online and off. Go there. Often.
    • Craft messaging that gets readers interested in your writing. Test this again and again, both in person, and in digital channels. Revise constantly.

When I work with writers, the big questions they are often looking to answer are: who is my readership, where can I find them, and how can I engage with them in a meaningful way? Of course, the outcome they hope for is a larger audience for their work, and greater book sales.

Critical to this is beginning to understand your readers as early as you can in this process and developing habits of doing so.

I hope, dear writer, I have not offended in this post. I strongly believe in the purpose of this site, and completely understand that writers are readers too. But there is a distinction between those who obsess about writing & publishing, and those who “merely” read, read, read, and ideally, will one day read YOUR book.”

For more great tips from WriterUnboxed, click here.

[found on http://writerunboxed.com/2013/06/28/are-you-building-an-audience-of-writers-not-readers]

Edit Your Book…Before You Take It To An Editor

[found on writersdigest.com; by Mike Nappa]

“1. The Close-In Writing
The basic method: You write a day’s worth of work (either fiction or nonfiction)—whatever that means for you. Next day, before you write anything new, you revise and edit the previous day’s work. This is the “close-in writing,” and becomes the first draft—the first time your write your book.

2. The Close-In Edit
When the entire first draft is complete, you go back through and, beginning with word one to the end, you revise and edit the entire manuscript on your computer. This is the “close-in edit,” and becomes your second draft: the second time you write your book.

3. The Distance (or “Hand”) Edit
Next, you print a hard copy of the second draft of your entire manuscript. Beginning with word one to the end, you hand-edit the hard copy, scrawling notes and profanities to yourself all the way through the margins. Then, using your hand-edit notes as a reference, you go back into your computer file and revise the manuscript as needed. This is the “distance edit,” and becomes your third draft: the third time you’ve written your book.

4. The Oral Edit
Finally, you print a new hard copy and read your entire manuscript aloud. Read it to the walls, to your spouse, to the patrons at Starbucks, to your dog, to the bowl of soggy Cocoa Puffs left over from breakfast. Doesn’t matter who’s in the room, only that you can hear yourself reading it. Start with word one and don’t stop until you read the last word. Yes, it may take you several days, but that’s OK. Keep reading every word out loud until you’re done.”

To read more on how to edit your book to its best, with tips from WritersDigest, click HERE.

[found on http://www.writersdigest.com/editor-blogs/there-are-no-rules/how-to-edit-your-book-in-4-steps]

Don’t Stay Mediocre, Success Is Waiting

[found on copyblogger.com by Jonathan Morrow]

5 Crippling Beliefs That Keep Writers Penniless and Mired in Mediocrity

Is it just me, or is the whole starving artist thing highly overrated?

Yes, there’s a certain romanticism to being a penniless vagabond, sacrificing material goods in the selfless pursuit of art.

Yes, it’s fun to fantasize about everyone suddenly realizing you’re a genius after you’re dead and auctioning your once-soiled toilet for nearly $20,000.

Yes, it’s hip to take a stand against evil capitalists and proselytize about constructing digital economies based on currencies of cool.

But eventually, it gets old.

I know, because I’ve been there. In college, I was the epitome of the starving artist, winning poetry competitions and acing English classes with ease and then bumming gas money to get home, but eventually I realized three things …

      • No matter how good your poetry is, girls think you’re lame when you take them out for a romantic dinner at Taco Bell
      • After sleeping in your car for a week, you don’t feel like writing a damn thing
      • Pretty much the only job available to English majors is to become an English teacher, and they’re some of the most underpaid, under-appreciated people on earth

Sooner or later, you begin to reconsider. I mean, no, you don’t have to be rich and famous, but would having your own apartment and being able to afford food be so bad? Hell, it might even help your writing.

So, you embark on your quest to make some money.

You try to write some articles for magazines and newspapers. You hire yourself out as a freelance copywriter (even though you probably have no idea what copywriting is). You start a blog and wait for the world to beat a path to your door.

And if you’re lucky, you survive. No, you’re not sitting by the beach drinking margaritas, but you have food and a bed and a car, and people don’t worry about catching weird diseases when they’re standing beside you in the elevator. It’s nice, but you still haven’t “made it,” and you wonder why.

In my experience?

It’s because you don’t have your mind right. You have these nasty little demons sitting on your shoulder, feeding you lies about the relationship between success and art. You probably picked up some of these ideas from your parents, others from your teachers, and still others from fellow writers and artists.

And if you let them, they’ll cripple you. You’ll go through your whole life knowing you’re talented but never quite making it and forever wondering why.

We can’t let that happen.

Below, you’ll find some of the most common beliefs that hold writers back. Take a look, and see if any of them look familiar:

Crippling Belief #1: It’s all about you

The most heinous lie to ever infect the mind of a writer is the belief that your work is all about you.

You believe your writing is a form of self-expression, an extension of your mind, a little piece of your soul imbued into the page. To write well, you just need to beauthentic, and if the world doesn’t like it, the world can go to hell.

Provocative, right? And like all the best lies, it has a grain of truth to it.

Yes, authenticity matters, but only to the extent people enjoy what you do. You’ll never find me auditioning for American Idol because, the fact is, I couldn’t carry a note to save my life. Yes, my voice is authentic, but it’s authentically bad, and that means I’ll never be a singer.

Writing works the same way. To be successful, stop worrying about who you are and start thinking about what your audience wants.

What do they like? How is it done? Only after you’ve answered those two questions are you ready to ask the third one: is it right for you?

I can’t overstress how important the order is. Them first, you second, never the other way around.

Crippling Belief #2: Building a following takes time

The last bastion of hope for any struggling writer is that building a following takes time.

Sure, life sucks right now, but if you’ll just hang in there, things will snowball, and everything will be all right.

It seems reasonable. After all, no one gets famous overnight, right? Everywhere you look, there are stories of successful people persisting when there was no hope, trudging forward one weary step at a time, unwilling to quit, clinging fiercely to their dreams, manifesting success through sheer power of will.

It’s inspiring… but it’s also deceptive.

Yes, building a following often takes time, but it’s not because people are slow on the uptake, incapable of seeing your brilliance until you’ve been around for a few years.

It’s because, when you’re a newbie, you do everything wrong, and most of us get knocked around for a few years until we figure out how to do it right.

In other words, you’re not waiting on the world. The world is waiting on you.

Yes, persistence is important. Yes, learning takes time. Yes, it’ll probably be slow and painful. But the sooner you learn, the sooner it will be over. So get busy.

Crippling Belief #3: You know what you’re doing

So, let me guess:

You’ve always been a pretty good writer, right? No, you haven’t won a Pulitzer or anything, but your teachers fawned over you in school, and your friends and family are awestruck by your skill with words.

Maybe you’ve even written for a magazine or newspaper a time or two and gotten some real credentials to put on your resume.

You believe all of that makes you different. When you start a blog or write a press release or hang up your shingle as a freelance writer, you believe things will be easier for you than all of the other bumbling writers out there. Unlike them, youknow what you’re doing.

Heh.

It never ceases to astonish me how many writers believe this. They honestly think being able to spell, write a grammatical sentence, and make a few aunties and uncles smile is enough to make them a good writer.

It isn’t. The difference between writing for free and writing to become recognized as a worldwide authority is like the difference between taking a jog after work and running an Olympic marathon. Like running events, each type of writing is also quite different, and even a legend might need years of training to switch.

The bottom line: if you want to make a career out of writing, you have to be serious about it.

You’ll need to commit years of your life to mastering it, and even then, you’ll have barely caught a glimpse of everything there is to know.

Also, if you’re not willing to make that commitment, that’s fine. Just hire someone who is. It’s far faster and much, much less painful.

Crippling Belief #4: Writing can only be a labor of love

It’s about the art. It’s about the fans. It’s about the ideas themselves.

If you start trying to squeeze money out of it, you’ll just pervert it, commercialize it, transform it into a cold and hollow substitution for what it could have been. Right?

Well, yes and no. Once again, this one is dangerous precisely because it’s partly true.

Yes, all the best writers love what they do. The thing that separates Stephen King from a lot of other horror writers isn’t the gore or the suspense or the characters. It’s the joy. When he’s chopping off heads or destroying the world, he doesn’t just tell you about it. He revels in it.

Also, Stephen King is far from broke. I think he made something like $50 million last year.

Granted, we can’t all be Stephen King, but one of the greatest fallacies in writing is that art and money are mutually exclusive. If you love something, you can’t make money from it, or if you want to make money, you can’t love the work.

That’s just silly. You can have both. In fact, I would even say you need both, or you’ll never have the staying power to become truly great at what you do.

Crippling Belief #5: You’re a writer (nothing more)

Many writers take enormous pride in what they do, and rightfully so.

We use nothing more than little splotches of ink to communicate with people across the globe.

We speak the unspeakable. We snatch ephemeral ideas from the air and bring them to life on the page.

It’s delightful. Amazing. Humbling.

But if you think it’s your only responsibility, you are horribly mistaken.

The best way I know to explain it is, imagine a mother carrying a child for nine months, religiously taking care of her body, doing everything a good mother does, and then the day she delivers it, she leaves the hospital and sets it on the side of the road. “Goodbye, sweet thing,” she says. “It was a pleasure, but now I have other things to do,” and then she walks away.

It’s a horrifying thought, right?

Yet, as writers, it’s something we do every day. We finish working on a piece, publish it, and then prop our feet up, praising ourselves for a job well done. “Finally, I’m finished,” we think. “On to the next project.” And then we watch from afar as it struggles to gain attention, weakens, and finally dies.

It’s a morbid metaphor, I know, but this point is absolutely essential for you to understand:

If you want to be successful, you can’t be a writer and nothing more.

You also have to be a constant caretaker, a shameless promoter, a fearless champion. You have to fight for your ideas the way a mother fights for her children.

Your job isn’t over the day you publish. On the contrary, it’s just beginning. More than likely, you’ll spend weeks, months, and years fighting to get your words the attention they deserve, and it’ll be the most tiring, nerve-racking, and yet unquestionably rewarding experience of your life.

Don’t neglect that responsibility. Don’t try to outsource it to someone else. Don’t rob yourself of the experience.

The truth is, the joy of writing isn’t the writing itself. It’s seeing your ideas spread. It’s seeing them touch other people. It’s seeing them take root within the minds of those people, where they continue to grow into something more wonderful than you could have ever imagined.

Do you want that?

If you do, then be more than just a writer. The world already has enough of those.

What we need are more warriors. What we need are more heretics. What we need are wordsmiths with the courage to change the world.

Words aren’t just words, you see. They’re the medium through which writers accomplish change.

Great writers don’t just inform you. They don’t just entertain you. They don’t justpersuade you. They change you, leaving you a slightly different person than you were before you read their work.

If you ask me, change should be the standard we hold ourselves to, not merely scribbling words down upon the page.

Then again, what do I know?

I’m just a writer. Nothing more.”

For more excellent posts from Jonathan Morrow, click HERE.

[found on http://www.copyblogger.com/crippling-writing-beliefs]

How To Write A Great Speech: 5 Secrets for Success

[found on forbes.com by Nick Morgan]

“David McCloud, the Chief of Staff of the Governor of Virginia, taught me how to write a great speech:

Great speeches are primarily emotional, not logical
• Small shifts in tone make an enormous difference to the audience, so sweat the details
• A great speech has a clear voice speaking throughout
• A great speech conveys one idea only, though it can have lots of supporting points
• A great speech answers a great need

The lesson nearly killed me. I had a PhD in literature and rhetoric, and I was teaching at the University of Virginia, when the Governor, Chuck Robb, plucked me from academic obscurity to write speeches for him. The previous speechwriter had cracked under the strain, and had taken to shouting Nazi war slogans and charging around the office barefoot using his hatrack as a battering ram. So of course he had to go; he alarmed the Governor’s State Police detail too much.

I don’t know why that didn’t worry me too much at the time. I suppose I was blinded by the opportunity to put my academic ideals into practice. I was installed in the same office, and I spent most of the first day or two looking at the hatrack and wondering how bad it would have to get before I was tempted to pick it up and go horizontal with it too.

David called me into his office on Day Three for my first assignment. Four death-row inmates had escaped from Mecklenburg State Prison and were wandering around loose in the Virginia countryside alarming everyone. The Governor had to give a speech to show that he was in control of the situation.

“The truth is,” said David, “that no one pays any attention to prisons until someone escapes. Then everyone wants to know why we don’t spend more money, hire more guards, do whatever it takes to keep scary people from getting out. Write a speech which says that we care about voters’ security but won’t waste their money either.”

I made a face. “But those two things are logically contradictory.”

“Your first lesson in real speechwriting,” said David. “Logic has nothing to do with it. Figure it out.”

Clutching my logic and my expensive education in rhetoric, I went back to my office to figure it out. For about half a day I stared at the computer screen with no idea how to begin. At some point, David popped into my office to see how I was getting on. He took in my lack of progress at a glance.

“Think John Wayne,” he said. “Make the Governor tough.”

So I thought about what John Wayne would have said if he’d been the governor, and shortly a script began to form on the screen. I wrote, re-wrote, and finally had a draft that I thought was pure gubernatorial magic. I handed it in to David.

A few hours later, an email arrived. “My office. Now.”

David scowled at me when I walked in. “This is the worst first draft I’ve ever seen,” he said. “It’s ridiculous. It’s too much John Wayne, not enough Governor. Go back and try again.”

So I did. I took John Wayne out and let in the sweet light of reason instead. I handed in what I thought was a much more measured draft to David the next morning.

This time he came to me. “This is the second worst draft I’ve ever seen,” he said. “The governor sounds like a Sesame Street character. Give him his cojones back.”

He left. I bowed my head over the screen. This was not the enlightened political discourse I had been expecting. I looked at the hatrack. Then I wrote another draft.

Before I got that speech right – and David satisfied with it – I wrote twelve drafts. John Wayne and Sesame Street came and went. I added sections on prison spending and took them out. I put in an update on the search for the escapees and revised it over and over again. I researched Thomas Jefferson’s attitude toward prisons and put in a section quoting him. It wasn’t until Draft 11 that David thought it was even worth sending it to the Governor for him to look at.

“OK,” he said. “It’s not great, but it’s OK for a first try.”

David was not my favorite person in the world that week, or for a number of weeks after. But in the end I realized that in being tough on me he had given me an enormous gift: he had taught me how to push myself to do better than I thought I possibly could. And he taught me how to write a speech. In the real world. Great speeches are primarily emotional, not logical. Small shifts in tone and phrasing make an enormous difference to the audience, so you sweat the details. A great speech has a clear voice speaking throughout. A great speech conveys one idea only, though it can have lots of supporting points. And most of all: a great speech answers a great need.

Thanks, David.”

[found on http://www.forbes.com/sites/nickmorgan/2011/01/19/how-to-write-a-great-speech-5-secrets-for-success]

Highlight Test

What is your favorite writing tool?

Ours is the Highlight Test. Editing Addict frequently recommends this tool—not just to novices—but also to our more experienced Writing Addicts.

How does the Highlight Test work? It helps writers see crutches in their writing—words or phrases leaned on…perhaps a little too much. As writers, we need those crutches at time in our lives—they make walking a success. The question becomes, what do we do with the crutches when we are prepared to run?

How to take the Highlight Test:

  • Use the FIND function, and search for key words that you overuse
  • Highlight all of them—ALL OF THEM
  • Read your manuscript again.
  • If you begin to get annoyed at all the highlighted words, guess what? So will your reader.
  • It’s time to remove some of those crutches, and see your writing get stronger, able to stand on it’s own.

Now, tell us your favorite writing tool!