Colloquialism, Euphemism, and Slang-lish—Oh my!!!

There are many different ways to write. You write to inform, or entertain. You write to display, or narrate. You write to tell a story, or to remove doubt. You write. You are the writer. The real question is—do you want to have readers? If a writer pens a word in a forest of paper, yet no one reads it—does it make an impact?
 
The pen is yours to rule upon your written words, or for us tech-gens, the keystrokes are your story’s destiny. Dumbing down your writing, does not a reader bring. As writers, what should we be on guard against when it comes to the trifecta of unfortunate authoring? Colloquialisms. Euphemisms. Slang. There is a place for them, but knowing when and where will be the difference between knowing victory and defeat.
 

What is a colloquialism?

  • Words or phrases that are not literary or  formal
  • Words or phrases that are from everyday language
    • Off the hook
    • Totally hot
    • Ripped my heart out
    • Tickled me to death

What is a euphemism?

  • Words or phrases that are chosen for their ability to make a harsh concept, milder
    • Pass away (instead of to die)
    • Turn a trick (instead of prostitution)
    • Fall off the wagon (instead of using/drinking again)
    • On the streets (instead of homeless)
    • Take out the trash (instead of murder)

What is slang?

  • Words or phrases that are more commonly used in speech, rather than in writing
  • Words or phrases that are considered very informal
    • Supersize
    • Frenemy
    • Bromance
    • Ride (referring to a vehicle)
    • My bad
When we write, and we desire to use any of the trifecta, there are a few questions that must be answered.
  • Does the colloquialism, euphemism, or slang make the writing stronger or weaker?
  • Is the wording chosen, unique to a small portion of the world, or country?
    • An example of this, is in the amazingly successful series, Harry Potter, by J.K. Rowling. Her wording was understood implicitly by her audience in Britain, but when her audience in America read that Snape had done a bunk—we had to figure out the meaning by either taking in the surrounding information, and assume we had the answer, or we jumped on Google, and figured out it meant to escape, or flee.
  • How much effort are you wanting your reader to go through, in order to read your writing?
    • A pillow is nice and soft, and has its place to elicit relaxation, but a dump truck dropping three thousand pillows on you—not exactly the same result.
    • Words or phrases placed appropriately, will engage your readers.
    • Words or phrases overused, or a story under-told because of the fluffy fillers, has a negative, and potentially lasting reaction to your readers.

“Three types of commonly used casual language include slang, colloquialisms, and euphemisms. Slang is an informal nonstandard vocabulary, usually made up of arbitrarily changed words. A colloquialism is a local or regional informal dialect or expression. A euphemism substitutes an agreeable or inoffensive expression for one that may offend or suggest something unpleasant. When our language is too casual, audiences might not be able to follow the main ideas of the speech, or they become confused or uncomfortable.”
(Cindy L. Griffin, Invitation to Public Speaking, 3rd ed. Wadsworth, Cengage, 2009) [found on grammar.about.com]

“If you use a colloquialism or a slang word or phrase, simply use it; do not draw attention to it by enclosing it in quotation marks. To do so is to put on airs, as though you were inviting the reader to join you in a select society of those who know better.”(William Strunk, Jr., and E.B. White, The Elements of Style, 4th ed. Longman, 1999) [found on grammar.about.com]

 

More Rhyming, and I Mean It!

“When you’ve got a thing to say, 
Say it! Don’t take half a day.

When your tale’s got little in it
Crowd the whole thing in a minute! 

Life is short–a fleeting vapor–
Don’t you fill the whole blamed paper

With a tale which, at a pinch, 
Could be cornered in an inch!

Boil her down until she simmers,
Polish her until she glimmers.” 

― Joel Chandler Harris

Invented Stories

“The vigor I lacked for physical activities became incandescent when, pen in hand, I filled those pages with invented stories. Sometimes they were intimately about me – family tales, parental exploits – sometimes they became horrific stories sprinkled with torture, death, and reunion: crazy games and tear-soaked sagas.” 

― Philippe Grimbert, Memory

Best Advice for Article Writers

[found on blog.ezinearticles.com]
 

“1. You Have to Start Somewhere!

“I was told just to write. My heart would do the rest and I would learn professional tips along the way … My writing pathway is now clear and moves forward … into the future.”
– Sandy Giles
 
“Just get started writing. Writing leads to more writing. Lethargy leads to no writing. The choice is yours.”
– Dr. Erica Goodstone

2. Find Inspiration and Encouragement Everywhere

“Take a cue from your children. When they want something, they will tell you directly with excitement, smiles, and motivating words and actions.”
– Terrance L. Weber
 
“‘C’mon, can’t you write a bit more?’ – my partner used to say this to me and it ultimately helped me to overcome procrastination.”
– Frederik Kreijmborg

3. Find Your Groove and Motivation

“I’ve found that setting the mood helps … Of course, you have to research your topic, outline your story, or know what you are talking about, but once you’ve settled on the basic gist of the content, you have to get your mind in the right place. Crank up some mood music, light some scented candles or some incense. Take your laptop into the park. Do whatever it takes to control your settings so you are at ease, then let the words pour out. This is where the best, most fluid content comes from.”
– Miriam B. Medina

4. Offer Solutions

“Just offer what can be done to achieve what has been a challenge, provide a solution, and make readers’ lives easier. In a nutshell, you help them win and you will win!”
– Rahman Mehraby

5. Don’t Forget the Importance of Your Title

“Titles are incredibly important! Don’t give away the article in the title, but deliver in your article what you advertised in your title.”
– Shirley Slick

6. Keep it Concise

“The best advice for me was to keep my paragraphs under 5-sentences.”
– Lance Winslow

7. Writing Is a Multi-Step Process

“First, think about the problem your readers want to solve. Second, think about at least 6 ways the problem could be solved. Do the research. Third, think some more about the several ways there are to meet the reader’s needs. Fourth, sleep on it. Fifth, start writing with excitement and enthusiasm. Sixth, put it away and then do the editing tomorrow. Seventh. Done!”
– Terrance L. Weber

8. Allow Yourself Time to Review and Proofread

“Writing and editing are two different ‘zones.’ It’s not always easy to seamlessly transition from the creative storm that came up with all your ideas to the fine-tooth comb you need to make sure those ideas are clear, cohesive, and error-free. If you take the time to step away from a piece of writing and come back later for a final edit and review, you WILL catch mistakes you missed once you’ve given your brain time to refresh itself and relax … A better piece of writing is always worth the time.”
– CH James

9. Allow Your Articles to Evolve and Learn From Your Mistakes

“Come back to the article in a few months to see how it is performing … A great article evolves over time.”
– Scott Bateman

10. The Ultimate Words of Wisdom

“(1) Keep it simple, (2) less is more, and (3) do it now.”
– Jeff Herring”
[found on http://blog.ezinearticles.com/2012/10/top-ten-article-writing-tips.html]

A Writer’s Avalanche

“I even read aloud the part of the novel I had rewritten, which is about as low as a writer can get and much more dangerous for him than glacier skiing unroped before the full winter snowfall has set over the crevices.

When they said, ‘It’s great, Ernest. Truly, it’s great. You cannot know the thing it has,” I wagged my tail in pleasure and plunged into the fiesta concept of life to see if I could not bring some attractive stick back, instead of thinking, ‘If these bastards like it what is wrong with it?’ That was what I would think if I had been functioning as a professional although, if I had been functioning as a professional, I would never have read it to them.” 

― Ernest Hemingway

Nine Things You Need to Know Before You Write Your Non-Fiction Book

[found on the creativepenn.com; by JOANNA PENN on JUNE 5, 2012]

“I started with writing non-fiction and it really did change my life. I’m actually working on rewriting my first book at the moment and I also devour non-fiction books so it definitely remains important to me. In this guest post Nina Amir, author of ‘How to Blog a Book’ poses some provoking questions that anyone embarking on writing a non-fiction book should ask themselves. 

Inspiration hits. The light bulb goes on. You’ve got a passion, and you pursue it. You see a need, and you fill it. There’s a question, and you answer it. You have a purpose, and you fulfill it.

These are all great reasons to begin writing a nonfiction book. And most writers, when struck by a good idea and the desire to write, simply begin writing. However, an even better reason exists to take a bit of time before you beginning writing to evaluate your idea—at least if you want your book to be successful.

Evaluate? I can hear you groaning. No one wants to evaluate anything, especially that book idea you are so psyched about.

If you simply want to write the book of your heart and you don’t care how many copies you sell, great. Go for it.

If you want to write a successful book, meaning one that sells to lots of readers or to a traditional publisher and to lots of readers, however, it behooves you to take the time to consider if your idea is a good one by industry standards.

To do this, I suggest you discover nine things about your book idea. Once you have this information, you’ll know if your book has a chance of success.

1. What Your Book Will be About and Why Would Someone Would Want to Read (Buy) It

You’d be amazed at how many writers cannot tell you in 50 words or less, or in 30 seconds or less, what their book is about. They also may not be able to list the benefits their book will provide to readers. Before beginning to write your nonfiction book, hone your topic and its angle. Figure out why someone would want to read your book rather than someone else’s book on the same topic. Write a pitch or elevator speech, a short statement that describes the essence of your book, and follow it with some bulleted points—the added value readers will take away from its pages. Think of this exercise like writing back cover copy. What might you say or write about your book that would make someone carry it to the register?

2. Who Wants to Read Your Book

Make sure you know your average reader—that one person you are writing for—as well as the size of your book’s market. Who wants to read your book, and where do you find them? How many of these people exist in the world? Are there enough of them to justify writing your book? This market research tells you if anyone is out there to read (buy) your book and helps you know for whom who you are writing.

3. Whether Your Book Will be Unique and Necessary

Make sure the book you plan on adding to the mix is not only unique compared to the other books in your niche or category but also necessary before you add one more title to the staggering number of books in print. Take a good hard look at what other authors have already written and published. Is what you want to write different—different enough to make someone purchase your book rather than an established title or a book by an established author? And is there a need for another book on the subject? If no books have been written on the subject, why? Is there a need for even one book on the topic?

4. If You Have Enough Content to Fill a Book

Sometimes writers think they have enough material for a book when really they only have enough for an article, or a couple of articles. Or they think they know what content they are going to include in the book, but when they finish the first draft, they discover they produced a manuscript that is scattered, rambling, misses the point, or leaves out essential information. Avoid these problems by mapping out your content first. Actually do a mind mapping exercise, which entails brainstorming while creating a large diagram of all your possible content and then organizing all these ideas into a table of contents or an outline. When you are done with this process you’ll know if you have enough content to fill a book, and you’ll know what content you plan to include in the pages of that book.

5. How You Would Describe Your Book’s Content

Bring your book to life with a short synopsis for each chapter. This accomplishes two things. First, when you couple this chapter-by-chapter synopsis with your table of contents, your pitch and list of benefits, you will have the best writing guide possible. Second, when you have finished the synopsis of all your chapters, and you have completed the previous four steps, you will suddenly have a clear picture of your book and feel ready to write your book. Why? Because it will seem real to you. If you can see it and it seems real, if your idea stood up to all the prior steps, it’s likely a viable book.

6. How You Will Ensure You and Your Book Succeed

Whether you self-publish or land a traditional publishing deal, you will need to promote your book. And promotion does not begin after the book lands in your hands as a finished product. It begins the moment that light bulb goes off in your head. Spend some time considering all the options you have to build awareness for yourself and your book as you begin the writing process as well as after you launch the book.

7. Why You Are the Best Person to Write This Book

Most nonfiction books are written by experts. Decide if you are the expert on your topic, how you will become the expert, or if you might need to bring in other experts (maybe a co-author, contributors or experts to interview). Also, does writing this book fulfill a sense of mission for you? If so, you might want to consider how to get that message across in the book and in your promotional efforts. Plus, in this step, it’s important to ask yourself if you have what’s called an “author’s platform.” Do you have a fan base or a large, loyal following of people who know you in relationship to the topic about which you plan to write? If not, you need to consider how you will begin building that built-in readership for your book.

8. If This is the Only Book You Will Write on This Topic

The more books you write, the more books you sell. That’s why it’s a good idea to spend a moment brainstorming other “spin-off” books on your topic. This is especially important if you want to create a business around your book or attract a traditional publisher. As an expert author, if you have more books, you can create more products and services to sell to readers. And publishers like to take on multiple-book authors.

9. How You Want to Publish Your Book

At this point, if you decided your book is marketable and has a chance of succeeding, you can begin writing your book—with one caveat. You need to know what publishing route you plan to take. If you plan on self-publishing, you can go ahead and write the whole book. If you plan on approaching traditional publishers, you only need to write 25-30 pages, or about two chapters, but you also need to write a book proposal, which includes all the information you just compiled. You then will submit the proposal to agents and publishers

Armed with this information, and assuming you discovered your idea is a viable one, you’re ready to take action on your inspiration. Turn your idea into a successful book.”

[found on http://www.thecreativepenn.com/2012/06/05/write-a-non-fiction-book]

20 Writing Tips from 12 Fiction Authors

[found on iuniverse.com]

“Writing success boils down to hard work, imagination and passion—and then some more hard work…. Use these tips as an inspirational guide—or better yet, print a copy to put on your desk, home office, refrigerator door, or somewhere else noticeable so you can be constantly reminded not to let your story ideas wither away by putting off your writing.

  • “My first rule was given to me by TH White, author of The Sword in the Stone and other Arthurian fantasies and was: Read. Read everything you can lay hands on. I always advise people who want to write a fantasy or science fiction or romance to stop reading everything in those genres and start reading everything else from Bunyan to Byatt.” — Michael Moorcock
  • “Protect the time and space in which you write. Keep everybody away from it, even the people who are most important to you.” — Zadie Smith
  • “Introduce your main characters and themes in the first third of your novel. If you are writing a plot-driven genre novel make sure all your major themes/plot elements are introduced in the first third, which you can call the introduction. Develop your themes and characters in your second third, the development. Resolve your themes, mysteries and so on in the final third, the resolution.” — Michael Moorcock
  • “In the planning stage of a book, don’t plan the ending. It has to be earned by all that will go before it.” — Rose Tremain
  • “Always carry a notebook. And I mean always. The short-term memory only retains information for three minutes; unless it is committed to paper you can lose an idea for ever.” — Will Self
  • “It’s doubtful that anyone with an internet connection at his workplace is writing good fiction.” — Jonathan Franzen”Work on a computer that is disconnected from the internet.” — Zadie Smith
  • “Interesting verbs are seldom very interesting.” — Jonathan Franzen
  • “Read it aloud to yourself because that’s the only way to be sure the rhythms of the sentences are OK (prose rhythms are too complex and subtle to be thought out—they can be got right only by ear).” — Diana Athill
  • “Don’t tell me the moon is shining; show me the glint of light on broken glass.” – Anton Chekhov
  • “Listen to the criticisms and preferences of your trusted ‘first readers.'” — Rose Tremain
  • “Fiction that isn’t an author’s personal adventure into the frightening or the unknown isn’t worth writing for anything but money.” — Jonathan Franzen
  • “Don’t panic. Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce . . . Working doggedly on through crises like these, however, has always got me there in the end. Leaving the desk for a while can help. Talking the problem through can help me recall what I was trying to achieve before I got stuck. Going for a long walk almost always gets me thinking about my manuscript in a slightly new way. And if all else fails, there’s prayer. St Francis de Sales, the patron saint of writers, has often helped me out in a crisis. If you want to spread your net more widely, you could try appealing to Calliope, the muse of epic poetry, too.” — Sarah Waters
  • “The writing life is essentially one of solitary confinement – if you can’t deal with this you needn’t apply.” — Will Self
  • “Be your own editor/critic. Sympathetic but merciless!” — Joyce Carol Oates
  • “The reader is a friend, not an adversary, not a spectator.” — Jonathan Franzen
  • “Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose. If you have the knack of playing with exclaimers the way Tom Wolfe does, you can throw them in by the handful.” — Elmore Leonard
  • “Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.” — Neil Gaiman
  • “You know that sickening feeling of inadequacy and over-exposure you feel when you look upon your own empurpled prose? Relax into the awareness that this ghastly sensation will never, ever leave you, no matter how successful and publicly lauded you become. It is intrinsic to the real business of writing and should be cherished.” — Will Self
  • “The main rule of writing is that if you do it with enough assurance and confidence, you’re allowed to do whatever you like. (That may be a rule for life as well as for writing. But it’s definitely true for writing.) So write your story as it needs to be written. Write it honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter.” — Neil Gaiman
  • “The nearest I have to a rule is a Post-it on the wall in front of my desk saying ‘Faire et se taire’ (Flaubert), which I translate for myself as ‘Shut up and get on with it.’” — Helen Simpson

Even famous authors sometimes have a tough time with writing; they also go through periods of self-doubt. Despite this, they always manage to come up with the goods. So take a lesson from them and stop putting off your writing plans and get started on your publishing journey today.”

[found on http://www.iuniverse.com/ExpertAdvice/20WritingTipsfrom12FictionAuthors.aspx]

River Boat Writer

“The process of writing a novel is like taking a journey by boat. You have to continually set yourself on course. If you get distracted or allow yourself to drift, you will never make it to the destination. It’s not like highly defined train tracks or a highway; this is a path that you are creating discovering. The journey is your narrative. Keep to it and there will be a tale told.” 

― Walter Mosley, This Year You Write Your Novel